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This topic comprises 2 pages: 1 2
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Author
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Topic: All things considered, which digital format would you get?
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Joe Redifer
unregistered
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posted 05-30-1999 01:24 AM
Yes, DTS has the problem of obtaining the discs. However if you work at a movie theatre you could always borrow the discs for one night and copy them via a CD-R and they will work just fine. DTS sounds the best by a slight edge in my opinion--it uses 4:1 compression---the LaserDisc version uses 3:1 compression at worst and 1:1 at best, and it does sound a little better than the theatrical counterpart. DTS is cheapest of the three formats. Dolby Digital sounds pretty good, slightly better than MP3's on your computer. (The highs can have the same washed out quality when there is a lot of sound going through all of the channels at the same time). Dolby Digital sees more release prints than any other format. Be sure to get a penthouse reader for maximum reliability. Dolby Digital can see some reliability problems if the lab messes up. A lab slice which usually changes the color dye of the film for a few seconds will send the SRD begging for mercy, and during that time you will be listening to SR. Dolby Digital uses 12:1 compression in the theatres, at 320kbps. LaserDiscs sample their Dolby Digital at 384kbps and DVDs up to 480kbps, so again, the home counterpart sounds better. What are they thinking? The theatrical technology should always be better! Sony SDDS should not even be an option anymore, in my opinion. Their equipment has become unreliable and is also very expensive. I have heard many stories of the sound dropping in and out. It is compressed at about 5:1. My recomendation would be to go with DTS if you can get the discs somehow, and Dolby Digital if you cannot.
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Brad Miller
unregistered
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posted 05-30-1999 01:24 AM
Oh this is a no-brainer...DTS! First let's put SDDS out of the running because of three major factors. #1 It is "highly" unreliable. #2 It is the worst sounding of the digital formats. #3 It is the most expensive (and more than double the cost of a DTS) Sure DTS discs aren't always an easy thing to find, but they aren't that hard to either. As to availability of titles, Dolby digital (SRD) is on basically everything. DTS is the second most popular and is on everything except for the real small releases. So unless you are a collector of art films, DTS will more than suffice for you. As to dropping out, it has been my experience with DTS (6 years) that the format never drops out unless the reader is grossly misaligned when mounted on top of the projector or a disc is badly scratched (of which remounting will fix and a replacement disc will fix). Then there's the two projector changeover issue. A second DTS reader is nowhere NEAR the cost of a second SRD reader. The SRD readers are $2500-3000! If you are going to go with SRD, you should just put that extra money into a platter and forget the second projector. That way you don't have to keep getting up during the movie and changing reels too!
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Chris Trainor
unregistered
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posted 05-30-1999 01:25 AM
Is there a used market at all for DTS decoders and penthouses? I'd really like to get digital for my screening room, and even though an on-film format would make the most sense, by time I get prints they are beat pretty bad sometimes making DTS the only digital option. Also, what do you figure a used setup would cost if avaiable? (how much are new nowadays anyway?)
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Brad Miller
unregistered
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posted 05-30-1999 01:25 AM
Used systems come around from time to time. However, since "digital" is such a big customer draw to theaters nowadays, most theaters when they close transfer the digital players to another theater in the chain. A good price for used systems would be: DTS $5000 SRD $6000 SDDS $waste of money
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Jeff Newton
unregistered
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posted 05-30-1999 01:26 AM
No kidding! SDDS isn't worth a dime! I feel like taking one out into a field and beating the crap out of it like they did on Office Space with the fax machine.
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