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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » AMC sucks...the song. (Page 3)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: AMC sucks...the song.
Matt Fields
Jedi Master Film Handler

Posts: 545
From: Ohio, United States
Registered: Jun 2005


 - posted 07-18-2006 07:29 AM      Profile for Matt Fields   Email Matt Fields   Send New Private Message       Edit/Delete Post 
Brian-

I don't really know Chris well, he just worked on the one project for me, but Forrest and I play on the same softball team. We also play some basketball occasionally. - Matt

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Eric Hooper
Jedi Master Film Handler

Posts: 532
From: Fort Worth, TX, USA
Registered: May 2003


 - posted 07-18-2006 11:34 AM      Profile for Eric Hooper   Email Eric Hooper   Send New Private Message       Edit/Delete Post 
I HATE AMC. HATE THEM. Long lines at concessions, if the counter is even open. Bad sound. Lights on during presentations. Dirty restrooms. I WILL NEVER STEP FOOT IN ANTOHER AMC ever again!

And I will NEVER forgive them for that expriement with "The Final Cut". (Do a search on here.)

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Alex Grueneberg
Expert Film Handler

Posts: 125
From: Chicago, IL
Registered: Aug 2004


 - posted 07-18-2006 01:18 PM      Profile for Alex Grueneberg   Author's Homepage   Email Alex Grueneberg   Send New Private Message       Edit/Delete Post 
Does any one know if AMC's theaters in Chicago are Union or just undertrained staff? I've never been all that impressed by their presestation.

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 07-18-2006 05:16 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
My first projection gig was with AMC. No real complaints about my experience with the company. I feel I got off to a great start there.

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Richard May
Phenomenal Film Handler

Posts: 1057
From: Floral Park, NY USA
Registered: Aug 2004


 - posted 07-18-2006 10:21 PM      Profile for Richard May   Email Richard May   Send New Private Message       Edit/Delete Post 
Alex,
I think the union has been out of there for a while now.

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Aaron Mehocic
Jedi Master Film Handler

Posts: 804
From: New Castle, PA, USA
Registered: Jun 99


 - posted 07-19-2006 06:55 PM      Profile for Aaron Mehocic   Email Aaron Mehocic   Send New Private Message       Edit/Delete Post 
Chris and Forrest worked on an install here too. At that time (1998), they were working with John Williamson at American Theatre Equipment Company. The work ethic was very professional.

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Matt Whitney
Film Handler

Posts: 27
From: Naperville, IL, U.S.A.
Registered: Dec 2004


 - posted 07-20-2006 07:38 PM      Profile for Matt Whitney   Email Matt Whitney   Send New Private Message       Edit/Delete Post 
I run a theatre in Chicagoland that used to be an AMC location. From what I understand, they didn't do business in the state for a while in order to get out of their union contract. When they left, I believe, is when my company bought the location.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 07-21-2006 06:03 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Matt,
I think you must run a theater thats been Willisized!

I just got home from an all nighter at one of the AMC's here and all I can say is that their attention to detail and organization puts the rest of the chains in this country to shame.

Mark

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Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 07-21-2006 10:52 AM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
Our local AMC was formerly a GCC outlet. It was built literally a small parking lot away from one of Tom Moyer's "Luxury" theatres (which eventually became part of the Regal chain).

When it was built there were two totally different approaches taken to projection at the theatres. Tom Moyer HATED unions. There was a story going around that he got snubbed by the Portland, OR local when he was an operator, and never got over it when he became an owner. On all acquisitions, the union op was the first to go.

At the GCC, the first thing they did was to have the theatre serviced by the Seattle local, and that says most of it right there.

The Moyer outlet had ushers in the booth from the start, and VIP30 machines, which shook from the start, and mono sound, which... well, you know.

The GCC had professionals from the start, and VIC-something or others on their 6 screens... well lit, rock solid. It had digital on all screens (now 8) long before any upgrades at the other house.

After AMC took over, the local's representation tapered off to the point that they only had a union guy build & break down... and maybe supervise the major shows on Friday and Saturday. That may also have changed by now, but the theatre still turns out a better show than its neighbor.

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Brian D. Whitish
Expert Film Handler

Posts: 103
From: Seattle, WA, USA
Registered: Apr 2001


 - posted 07-22-2006 02:40 AM      Profile for Brian D. Whitish   Email Brian D. Whitish   Send New Private Message       Edit/Delete Post 
Thanks for the kind words Jack. The Seattle local now just has a maintenance contract with AMC. The only company that still has full time operators is Landmark. We used to have two really good operators at the Kitsap theatres. GCC was always one of our best employers.

Brian Whitish
Business Rep for Projection
IATSE Local 15

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