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Author Topic: Eyes Wide Shut
Sheldon Harris
Film Handler

Posts: 16
From: Chicago, IL USA
Registered: Jun 99


 - posted 07-19-1999 05:24 PM      Profile for Sheldon Harris   Author's Homepage   Email Sheldon Harris   Send New Private Message       Edit/Delete Post 
sorry Ian, but you're wrong... very quickly here cause I'm cutting out of the office for an hour bumper to bumper commute back home.....but "obsession" is not the motivation, it was jealousy..... and to say the score was terrfic is beyond belief as 95% of it is a solo piano, hitting one key at a time in staccato fashion...... I wonder how many CD's that'll sell? ...maybe 1

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 07-19-1999 09:09 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
About the movie's score:

The first scene I saw before taking in the entire movie was Tom Cruise scoping out the mask on his pillow and freezing. The music was chilling. However since most of the music throughout the movie is the exact same thing, it does indeed get old. I almost think that this movie would sound better in SR than any of the compressed digital formats, it would sound smoother perhaps. I don't think the movie uses much (if any) pumping subwoofers or discrete surrounds. But I don't care enough to take it out of digital to find out.

[This message has been edited by Joe Redifer (edited 07-19-99).]

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 07-21-1999 03:42 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
Didn't watch the movie, sorry.
(It's all just transparent plastic to me, anymore! )

I have seen many prints here at Cinemark that come in with some reels in SDDS and some not.

Scream (1&2), I Know What You Did... (1&2)
Halloween, and a few more that I can't remember.

I've since gotten into the habit of making sure that all reels have SDDS & DTS tracks.

It's funny because most of those movies are from Sony Pictures, if I'm not mistaken!
(They also came from Technicolor too, so go figure!)

A lot of people call the booth and ask us, "Is such-and-such-movie going to be in digital?" It has become my standard procedure to say, "I don't know until the print actually arrives."

All advertisemrnts and "cheat sheets" (Like 'Scoreboard') are WRONG as far as I'm concerned. I've seen them say right on the trailer that there will be digital and there wasn't. I've also seen the reverse. Furthermore, "Scoreboard" has been known to get ASPECT RATIOS wrong!

My advice is to wait until you have the print in your hot little hands before you tell people what soundtracks you're going to play. Yeah, I'm a bit cynical but I've been stung more than once.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-21-1999 03:53 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
No kidding! Many times we will plan on a print to go in a certain house because of it's digital format and the print has the opposite.

It kills me why people keep buying the SDDS system with all of it's problems...especially now that there is NO more exclusive SDDS titles out there. An ideal theater would just have SRD in every screen (with one or two DTS floaters for the exclusive DTS releases) and never worry about playing a movie in digital again! Of course that's assuming a penthouse reader is used, as most theaters who have basement readers have problems. Personally, I've not worked with the basement reader enough to say 100%. A less expensive solution would be to have all DTS. Personally I feel the format sounds a little bit better than SRD and virtually everything is in DTS too. Of course having some SRD floaters would be required for the smaller films.

Check out the thread here on digital installation spreads.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 07-21-1999 07:18 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
I believe that the ideal theatre would have DTS in every house and also a penthouse Dolby Digital reader with a few roaming units. Why? You don't have to set the levels on SR-D everytime you move it like you do with DTS. While this isn't a problem for you and I, it would be to other theatres who can't have techs come out just to reset levels everytime a unit is moved, and everyone will think DTS sounds like crap as a result! Actually, the ideal theatre would have BOTH formats (non movable) in every house, and just play DTS as often as possible, SR-D when you can't.

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 07-21-1999 10:59 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
>>Scream (1&2), I Know What You Did... (1&2)

I don't recall any SDDS prints of Scream 1 existing at all. SRD only.

Aaron


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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 07-26-1999 09:01 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
Well, as I recall, "Scream 1" wasn't SUPPOSED to have SDDS then it did and then it didn't again. (According to several succeeding "Scoreboard" listings...

As it turned out about 3/4 of the reels were randomly printed in SDDS. I was able to "make" an SDDS print, if you know what I mean

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 07-27-1999 03:46 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I liked Eyes WIde Shut saw it at the new alliance 6 plex in toronto on a 55' picture and was enjoyable
was a typical film noir

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