Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » High Speed Pulldown (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: High Speed Pulldown
Rick Long
Jedi Master Film Handler

Posts: 759
From: Toronto, Ontario, Canada
Registered: Nov 1999


 - posted 08-31-1999 10:55 PM      Profile for Rick Long   Email Rick Long   Send New Private Message       Edit/Delete Post 
Aye, but the real bitch is when you run two 2500-watt bulbs side-by-side. The poor projectionist wears out his thumb switching the third phase back and forth every half cycle.

 |  IP: Logged

Christopher Seo
Jedi Master Film Handler

Posts: 530
From: Los Angeles, CA
Registered: Jun 99


 - posted 09-01-1999 10:49 PM      Profile for Christopher Seo   Email Christopher Seo   Send New Private Message       Edit/Delete Post 
...

Does anyone know if the high-speed pulldown concept has been applied to motion picture cameras? I.e. what is the widest shutter opening that has been attempted? Panavision cameras have shutters that open as much as 200 degrees... does anybody know of any other brands and models that do this, too?

 |  IP: Logged

Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 09-02-1999 03:16 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Yes there are quite a number of cameras with very high speed pulldowns. Both the Panavision R-200, all Panaflex models and some Mitchells,and many Arriflex cameras have high speed pulldown movements. These camera movements are hand built and fitted to the limits of precision, and are based on cams working levers. Many of these movements are actually small works of art.
Most people are not aware that Simplex built the "Fox" noiseless studio cameras in the 30's and 40's. These were noisless studio capable cameras that did not require a blimp to soundproof them.
Also, almost all 16mm claw type projectors have 5 to 1 pull down.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.