Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Technicolor sucks (Page 3)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: Technicolor sucks
Erika Hellgren
Expert Film Handler

Posts: 168
From: Denver, Colorado
Registered: Jun 99


 - posted 11-06-1999 12:31 AM      Profile for Erika Hellgren   Email Erika Hellgren   Send New Private Message       Edit/Delete Post 
Oh, you mean everyone else got their Insider prints on Wed, too?! I was hoping they did that for us as a result of one of my co-workers bitching at them. Damn!

 |  IP: Logged

Masao Garcia
Film Handler

Posts: 34
From: Lancaster, CA, USA
Registered: Oct 1999


 - posted 11-24-1999 01:13 PM      Profile for Masao Garcia   Email Masao Garcia   Send New Private Message       Edit/Delete Post 
Just another quick rant about TES. Last night, one of my Toy Story 2 prints ended up having the 4th reel's head intertwined with reel #5. And it was more than just the head--the actual movie was scratched a couple feet in on R#4. And I also cut my finger on one of their patented broken azz reels. Technicolor can burn in hell.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-24-1999 01:34 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I can easily top that! (unfortunately)

Last night I had to GO GET MY PRINTS FROM THE AIRBORNE DEPOT MYSELF! They wouldn't deliver them!!! Technicolor called and said we would "receive them Wednesday afternoon". Excuse me? Are we pulling another Saving Private Ryan here? The movie opens Wednesday MORNING! Did this happen to anyone else?

Also, out of 2 prints of "End of Days" only ONE reel in each print had any strength whatsoever to stay together. The others fell apart in the cans before I even opened them up. Also, most of the paper reel bands didn't have strings and the prints were extremely loosely wound onto the cores! It was hell just babying them to a Goldberg split reel they were so loose...and I'm very comfortable with handling 6000' film rolls on a core.

Yes, Technicolor has definitely mastered the art of screwing up. When oh when will the hell end? I'm thinking Kodak needsa "DepotCheck" training system for these guys.

 |  IP: Logged

Jim Ziegler
Jedi Master Film Handler

Posts: 753
From: West Hollywood, CA
Registered: Jul 99


 - posted 11-26-1999 02:56 AM      Profile for Jim Ziegler   Email Jim Ziegler   Send New Private Message       Edit/Delete Post 
Technicolor: The AMC of film depots...

 |  IP: Logged

Bill Carter
Expert Film Handler

Posts: 162
From: Minneapolis, Minnesota
Registered: Sep 1999


 - posted 11-26-1999 05:01 PM      Profile for Bill Carter   Email Bill Carter   Send New Private Message       Edit/Delete Post 
Last Thursday night, Technicolor was late as usual delivering The Limey. None of the reels would hold together. All the leaders were spliced both sides, but three of the six had head and tail leaders reversed. All six reels had half a dozen deep scratches running through, non-stop. The last three reels looked as if they had been thrown off a platter, and untangled in the parking lot. More ground in dirt and abrasions over sound and picture than I have ever seen.

So, at about 1am Friday I'm leaving messages that I need a replacement print. Surprisingly, it arrived during the first show on Friday. It was in much better shape, but ALL SIX reels had head and tail leaders switched (who keeps doing this?) Plus, the attached trailer was gone, but someone had thoughtfully left the green band behind, spliced to the feature!

I don't know what I would have done, if I hadn't been taught to inspect everything!

 |  IP: Logged

Mike Bianchi
Film Handler

Posts: 40
From: Independence, KY, USA
Registered: Dec 1999


 - posted 11-26-1999 05:05 PM      Profile for Mike Bianchi   Author's Homepage   Email Mike Bianchi   Send New Private Message       Edit/Delete Post 
I'd rather see a return of the old tin shipping reels. They may have gotten warped but they never fell apart!

The only technicolor shipping reels that seem to stay together are the ones with the hole blocked for the turning peg. Of course they stay together...

I guy's it's Murphy's Law of Technicolor (or one of the many)

 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 11-27-1999 02:22 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Thankfully in Canada we don't have Technicolor delivery we used to have two film depots in Toronto
One and the largest is Victoria Film Service which now warehouses and mounts and junks all the 35 prints. The other was Universal and they were the best All prints were hand rewound and inspected and repaired
When you opened a Universal can each band had a sticker saying Head Up ready for Showing
or Tail up Ready for showing

And they meant ready for showing I regularly had screenings where we would put the head up shipping reel right on the machine and showit right onto another shipping reel with confidence that there would be changeover cues, leader in frame and a good print

Two months ago they closed there depot and now it has moved to Victoria Film service and even though they are better than what Technicolor sounds like they still arn't as good as Universal was.

Film shipping is handled by Mavety Cartage that is owned by Victoria film service and out of town prints go by greyhound> One of the reasons that the ELR reels haven't been implimented is that Greyhound Canada won't take them in bus cargo as they exceed federal regulations here

 |  IP: Logged

George Roher
Master Film Handler

Posts: 266
From: Washington DC
Registered: Jul 99


 - posted 12-15-1999 11:07 PM      Profile for George Roher   Email George Roher   Send New Private Message       Edit/Delete Post 
I had to build up a 7 reel feature for a screening the other night, and all 7 reels had the cores in wrong so the holes weren't aligned. Half of the reels were broken. Heads and tails were attached with masking tape, and the previous operator had used opaque tape to build the show. It was kind of TES to deliver the print the day of the show. They also delivered a print that's not playing until next week. Strange luck.

 |  IP: Logged

Scott Ribbens
Expert Film Handler

Posts: 118
From: Los Angeles
Registered: Oct 1999


 - posted 12-16-1999 12:55 AM      Profile for Scott Ribbens   Email Scott Ribbens   Send New Private Message       Edit/Delete Post 
Watch out George, TES will probably want that print that they delivered early back, so they can ship you the "new" one that you were supposed to get on the first day of the show.

------------------

Scott

 |  IP: Logged

John Schulien
Expert Film Handler

Posts: 206
From: Chicago, IL, USA
Registered: Nov 1999


 - posted 08-30-2000 06:17 PM      Profile for John Schulien   Email John Schulien   Send New Private Message       Edit/Delete Post 
Just to resurrect an old thread ...


I was amused at just how long projectionists have been complaining about defective shipping reels ...

Every operator should have a full supply of good reels for use in the machine and should never let these get out of his house. The reels furnished by the exchanges are often very bad and if perchance a real good one is sent out, some wide-awake operator will surely keep it.

- Motion Picture Operation, Horstmann and Tousley, Chicago: Fredrick J. Drake & Co. 1914.


 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 08-30-2000 08:44 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
I don't know what kind of shipping reels were in use in 1914 (1000' metal, perhaps?), but surely they were better than any of the three varieties of TES reels, right?

(Yes, I've used TES reels as take-ups and have lived to tell about it...some of them are OK...I still don't like them, though...I've gotten better reels from TES at second-run art houses than at the first run gigaplex.)

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 08-31-2000 02:58 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
1914??? Wow, that sure is outdated information. I'll bet the authors never saw TES on the horizon.

Nostradomus may have predicted Adolf Hitler but even he couldn't predict TES and the horrors that accompany it.

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 09-01-2000 04:42 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Imagine it...TES in 1914? That guy would still be waiting for his print.


 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.