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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Breakdown Etiquette (Page 2)

 
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Author Topic: Breakdown Etiquette
Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 10-16-1999 08:53 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
My personal feeling (and one that I have always practiced in my 20 years of showing films) is on breakdown, the film should be restored to its original condition...no lost frames and the heads/tails fully reattached so the print is runnable...and just like those bygone paper bands used to say "Do not rewind. Standard Print Makeup" so I ship tails out (emulsion-in) and if in a changeover booth, I take-up right on the shipping reel so it gets a nice smooth wind. The next projectionist gets a print ready to inspect and load onto whatever apparatice they have.

I stand by splicing the heads/tails back on with tape on both sides...it leaves the film in a runable state.

Steve

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Chris Erwin
Expert Film Handler

Posts: 195
From: Olive Hill,KY
Registered: Oct 1999


 - posted 10-17-1999 10:13 AM      Profile for Chris Erwin   Email Chris Erwin   Send New Private Message       Edit/Delete Post 
Worst case here. Some one tried to make a reel band out of masking tape. I mean they started at the film end and went around the entire reel. I only encountered once. Someone probably got a print from this person and hunted them down!

-Chris

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