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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » The heaviest thing you ever had to pack up or down to the booth (Page 2)

 
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Author Topic: The heaviest thing you ever had to pack up or down to the booth
Aaron Mehocic
Jedi Master Film Handler

Posts: 804
From: New Castle, PA, USA
Registered: Jun 99


 - posted 11-30-1999 03:25 PM      Profile for Aaron Mehocic   Email Aaron Mehocic   Send New Private Message       Edit/Delete Post 
About six years ago, me and another kid in high school had to get a xetron recifier upstairs. It wasn't too bad. Mostly I complain about long films that come in three or more cans.

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Wallace Logan
Film Handler

Posts: 26
From: Ottawa Ontario Canada
Registered: Nov 1999


 - posted 11-30-1999 07:07 PM      Profile for Wallace Logan   Email Wallace Logan   Send New Private Message       Edit/Delete Post 
The heaviest thing I had to lift was all
ready in the booth, it was a three screen
booth it had vic 8 projectors with a
cinimacanica automation pins, with autoreavers man it was noisy the place was
40 years old.
When I stared the reavers quit working so
we had to rewind by table then lift it back
up to the magazine these reels held 12000 feet.The shaft is a foot over my head. I put a Disney print on one reel man that was heavy.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 11-30-1999 09:17 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Oh yeah, I almost forgot! During a very brief stint at the $1 Theatres, I had to help move the sattelite concession stand up the stairs. They had redecorated the place and didn't ant 2 stands.

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Rick Long
Jedi Master Film Handler

Posts: 759
From: Toronto, Ontario, Canada
Registered: Nov 1999


 - posted 12-01-1999 05:56 PM      Profile for Rick Long   Email Rick Long   Send New Private Message       Edit/Delete Post 
Belleville, Ontario new (at the time) installation - four-plex.
Only entrance to the booth available (during installation) was up an outside steel fire escape with a 90-degree turn at the top. Naturally, it was raining when we delivered the equipment which made for a somewhat slippery trip.
The Cinemeccanica projectors and lamp-houses were separately boxed in parts and weren't too bad, the Kneisley rectifiers caused a few groans, but the real ball-busters were the main post assembies of the O.R.C. CP-302E platters.
Ocassionally when I run into one of the projectionists (now working at another theatre), he reminds me of the time I caused him to get a hernia. It has cost me a few lunches now and then.

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