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This topic comprises 2 pages: 1 2
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Topic: Bad Tech Support from Christie and Pennywise
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Michael Cunningham
Expert Film Handler
Posts: 186
From: Anchorage, AK
Registered: Nov 1999
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posted 01-16-2000 04:07 AM
Hey Scott, The reason fail-safes must be run through the automation is that you need them to affect many different things at once. At startup, if the film isn't sitting correctly across the failsafe, you need it to signal "no start" back to the automation. In the case of a film break, you need it to shut down the motor, close the c/o douser, bring up the house lights, revert to non-synch (so you don't hear that odd slowing, tapering off sound) and, probably most important, sound an alarm of some kind. Now, granted, leads could be run from the failsafe to all these seperate devices, but it's much easier to start an automation program with one signal since the automation is already, by necessity, connected to every device you've got. Hope this helps. -Mike
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 01-16-2000 11:24 AM
The old Xetron changeover automation was the Maxi 7 and the Maxi 7111B. They are no longer made.I have seen people try to use the Maxi 9DC for changeovers with some sucess. Currently, we use Kelmar's automations with their "integrator." Bascially, you get two automations (either the Series 4 or Series 7) and the integrator. If you want to run platter, no problem, turn off the integrator and start up normally. If you want to run changeover, no problem turn on the integrator, press start on the first projector's automation and it will run the rest of the show. You can leave the integrator on since it is only activated by a unique cue (we use the triple cue detectors with the 3-7 expander) so there are enough combinations to perform all the normal functions plus a unique changeover command. The nice thing about this is that a print can be cued for auto changeover and eventually be placed in a platter theatre within the same complex and not cause problems. To my knowledge, it has NEVER missed a changeover (the failsafes are always active on start up and after the changeover opens to allow for bobble, Joe). Cueing the film at 20 feet prior to last frame always gets you a perfect changeover (at least on Simplex PR-1014 w/ 5-stars). Steve ------------------ "Old projectionists never die, they just changeover!"
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Chris Erwin
Expert Film Handler

Posts: 195
From: Olive Hill,KY
Registered: Oct 1999
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posted 01-16-2000 11:29 AM
Hmm...Should I rethink ever wanting to get an AW-3? I run an AW-2 now at the cinema I work in and have had no problems.I know for certain I don't want the CA21. I'll stick to the "Raven" by Uni-Pec before I change automations. It will properly shut down when the fail safe goes down. --Chris P.S. What's the word on Strong platters?
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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999
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posted 01-16-2000 01:35 PM
Brad; Does that Cinemation have the two differently biased diode pins? One pin to 'latch' the relay, and the other way to 'unlatch?'If so, could you seperate the two and use them for different functions? Like a black diode for close curtian and a green diode for open curtian. When I did the electrical set ups for our theater chain, I tried to make everything operate with only a pulse, rather than having a relay stay pulled in. By pulse, I mean a contact closes for only 1 sec or so, then opens up. For example, most curtian motors only need a pulse on the common and "close" wire to close the curtian. Yet, there are several automations the will hold the "curtian close" contacts together for a long time. PS: Does that Cinemation have that little solder terminal block to terminate all the wires? And does it run on 220 VAC?
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This topic comprises 2 pages: 1 2
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