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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Bad Tech Support from Christie and Pennywise (Page 2)

 
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Author Topic: Bad Tech Support from Christie and Pennywise
John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 01-16-2000 12:55 AM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
Brad;

On the Cinemation I used, I was able to use some circuits differently. I had a CP200, and it was able to handle some of the functions that the Cinemation was originally supposed to do, I could connect some pin/circuits to a different function. For example, (in the original design) there were three pin/circuits just to switch in/out the intermission music. I had an extra relay contact on the "START 1" trigger the CP200 "MUTE." The relay that opened the proj #1 zipper also triggered the CP200 "GO" button, which took it out of "MUTE." The "STOP BOTH" on the Cinemation triggered format "D" and "GO." So that freed up 3 pins.

Could you do something like this with your automation

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-16-2000 01:11 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
John, an interesting idea indeed. I have done similar things in the past where I found a glitch or another way to wire something.

My favorite was actually on the Gary Stanley UA barcode automation. When the SR cue is passed, for some reason the system pulses the processor into Dolby A for one second, then pulses into SR. Everyone I talk to thinks I'm crazy...but it happens. No one else is looking at the processor when the cue passes! Anyway, I moved commands around so now the A cue is hooked to toggle the remote/local fader. This way I can start the show with an SR cue and the remote fader is pulsed immediately followed by the SR. That eliminates needing two dedicated cues at the start to pulse into remote and then to pulse into SR.

If I end up crosswiring two of these UA units together, I'll definitely wire the audio changeover into the "manual cue" douser button, because as Joe has pointed out in the past, the douser opens and 10 seconds later the sound switches.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 01-16-2000 02:37 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Actually Brad, the CA21 can hold 6 programs, not 5. So you could have a "spare" program just for flushing the toilet or something!

It's too bad such a fabulous automation has such tremendous shortcomings.

Also I have had platters (AW3) that have stopped taking up about 15 minutes into the show. That is very rare, and I've only seen it once or twice.

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Michael Cunningham
Expert Film Handler

Posts: 186
From: Anchorage, AK
Registered: Nov 1999


 - posted 01-16-2000 04:07 AM      Profile for Michael Cunningham   Email Michael Cunningham   Send New Private Message       Edit/Delete Post 
Hey Scott,

The reason fail-safes must be run through the automation is that you need them to affect many different things at once. At startup, if the film isn't sitting correctly across the failsafe, you need it to signal "no start" back to the automation. In the case of a film break, you need it to shut down the motor, close the c/o douser, bring up the house lights, revert to non-synch (so you don't hear that odd slowing, tapering off sound) and, probably most important, sound an alarm of some kind. Now, granted, leads could be run from the failsafe to all these seperate devices, but it's much easier to start an automation program with one signal since the automation is already, by necessity, connected to every device you've got. Hope this helps.

-Mike

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-16-2000 11:24 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
The old Xetron changeover automation was the Maxi 7 and the Maxi 7111B. They are no longer made.

I have seen people try to use the Maxi 9DC for changeovers with some sucess.

Currently, we use Kelmar's automations with their "integrator." Bascially, you get two automations (either the Series 4 or Series 7) and the integrator. If you want to run platter, no problem, turn off the integrator and start up normally. If you want to run changeover, no problem turn on the integrator, press start on the first projector's automation and it will run the rest of the show. You can leave the integrator on since it is only activated by a unique cue (we use the triple cue detectors with the 3-7 expander) so there are enough combinations to perform all the normal functions plus a unique changeover command. The nice thing about this is that a print can be cued for auto changeover and eventually be placed in a platter theatre within the same complex and not cause problems.

To my knowledge, it has NEVER missed a changeover (the failsafes are always active on start up and after the changeover opens to allow for bobble, Joe). Cueing the film at 20 feet prior to last frame always gets you a perfect changeover (at least on Simplex PR-1014 w/ 5-stars).

Steve

------------------
"Old projectionists never die, they just changeover!"

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Chris Erwin
Expert Film Handler

Posts: 195
From: Olive Hill,KY
Registered: Oct 1999


 - posted 01-16-2000 11:29 AM      Profile for Chris Erwin   Email Chris Erwin   Send New Private Message       Edit/Delete Post 
Hmm...Should I rethink ever wanting to get an AW-3? I run an AW-2 now at the cinema I work in and have had no problems.

I know for certain I don't want the CA21. I'll stick to the "Raven" by Uni-Pec before I change automations. It will properly shut down when the fail safe goes down.

--Chris

P.S. What's the word on Strong platters?

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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 01-16-2000 01:35 PM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
Brad;
Does that Cinemation have the two differently biased diode pins? One pin to 'latch' the relay, and the other way to 'unlatch?'

If so, could you seperate the two and use them for different functions? Like a black diode for close curtian and a green diode for open curtian.

When I did the electrical set ups for our theater chain, I tried to make everything operate with only a pulse, rather than having a relay stay pulled in. By pulse, I mean a contact closes for only 1 sec or so, then opens up.

For example, most curtian motors only need a pulse on the common and "close" wire to close the curtian. Yet, there are several automations the will hold the "curtian close"
contacts together for a long time.

PS: Does that Cinemation have that little solder terminal block to terminate all the wires? And does it run on 220 VAC?

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-16-2000 02:11 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Steve, what else can the Kelmars do? I doubt they will perform all the tasks I desire. (It must appear to my guests that Steve Guttag is personally running the show manually, switching this and changing that. )

Chris, not to worry, I've ran plenty of AW3s and never ever had one die during a show. Occasionally I've had them fail on startup if the timing wasn't adjusted correctly or if the motor drive wheel was too worn down, but even that is rare. Get rid of that AW2.

John, I've never personally wired one of these babies up, but I'm pretty sure it runs off of 110V. All the pins were the same.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 01-17-2000 05:10 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
UPDATE:

I just finished going over a long list of details with Pennywise. They seem confident that these problems can be worked out. If they are and the new chip does everything it looks like it will, the CA21 will be the best automation in the world.

I will re-review the unit as well once this happens.

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Richard Hamilton
Phenomenal Film Handler

Posts: 1341
From: Evansville, Indiana
Registered: Jan 2000


 - posted 01-18-2000 11:48 PM      Profile for Richard Hamilton   Email Richard Hamilton   Send New Private Message       Edit/Delete Post 
Hey Joe,
It appears to be a threading problem from the first glimpse of the picture. Why is the leader still threaded up? That is the prolem with timers. Someone may be miles away when a projector starts.

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Scott Ribbens
Expert Film Handler

Posts: 118
From: Los Angeles
Registered: Oct 1999


 - posted 01-19-2000 02:05 AM      Profile for Scott Ribbens   Email Scott Ribbens   Send New Private Message       Edit/Delete Post 
Richard, the answers to all of your questions can be found in Joe's second post to this thread.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 01-19-2000 11:48 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Brad the Cinemation MK4 was also available with a double function section of 48 cuesx 24 functions. It also could use red and green pegs to acess to different layers of the matrix Red were hous functions for lobby etc and green were booth functions

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Richard Hamilton
Phenomenal Film Handler

Posts: 1341
From: Evansville, Indiana
Registered: Jan 2000


 - posted 01-19-2000 11:19 PM      Profile for Richard Hamilton   Email Richard Hamilton   Send New Private Message       Edit/Delete Post 
just curious as to what kind of failsafe you have? micro-switch, or proximity detectors?

Rick

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