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Author Topic: Open-captioning
John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 03-01-2005 01:20 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Frank Angel
I always wondered why with all the space on 1.85 releases, they couldn't just put subtitles in the black under the picture and then if a theatre wanted to run open captioning, they could just use a longer FL lens and run it at 1.66, allowing the subtitles to project. This way they are not interfering with the image in any way.

A really good idea, until you think about the likelihood that some will try to show the prints at 1.85:1, and frame up to show the subtitles, and cut off the top half of the picture. [Roll Eyes]

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 03-01-2005 11:40 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Hey, regular commercial houses that don't have the correct lenses to show 1.66 subtitled foreign prints do this anyway all the time. Heck, I've seen theatres running 1.37 titles at 1.85. Alas, the world will never be rid of the dumb and the careless; figure expediency to trounce precision 1 out of 3 times.

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Wolff King Morrow
Master Film Handler

Posts: 490
From: Denton, TX, USA
Registered: Feb 2004


 - posted 03-02-2005 04:55 AM      Profile for Wolff King Morrow   Author's Homepage   Email Wolff King Morrow   Send New Private Message       Edit/Delete Post 
Sometimes this forum is psychic!

I just recently test-ran a newly installed open caption system in one of my auditoriums. Its an overlay system from DTS, so I had to set up an interlock roller line to another screen in order to show a non-caption version at the same time.

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