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This topic comprises 3 pages: 1 2 3
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Topic: Prevost & Fumeo 35mm projectors
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Stefan Scholz
Expert Film Handler
Posts: 223
From: Schoenberg, Germany
Registered: Sep 1999
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posted 06-04-2000 01:02 PM
According to the leaflet, i read, the PIO PION factory is called "Prima Frabbrica Italiana Apparecchi Cinematografici. Csa fondata nel 1908.", meaning they claim to be the oldest of the Italian makers. Cinemeccano started 1920, basicly building an Ernemann Imperator clone. The two founders seperated after the war, one was the grandfather of the guy that builds Veronese projectors nowadays. This explains the close resembelance between Vic 4 and Veronese Diamant XV b projector. Cinemaccabnica has the highest output of projectors in Europe, about 1000 units a year, their max. capacity. It is a very traditional company, but uses modern production techniques. All other still existing Italian makers, were, when we visited them a couple of years ago, more or less garage type of toolshops, some using ther original foot cranked lathes, converted to electric motors in 1920+. At one maker maltese crosses were still totally hand crafted out of a block of iron, Cinemaccanica uses wax molded crosses finalized by hand to precise tolerances. The Micron was a projector built until the 50's, and the company disappeared. It was not very big, but they also made a couple of VistaVision style horizontal projectors in the mid 50's. I am not quite clear, if the Micron company of today (another garage type maker) making 35 mm portables is a followup, but as I remember it was the grandson or so.
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Stefan Scholz
Expert Film Handler
Posts: 223
From: Schoenberg, Germany
Registered: Sep 1999
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posted 06-10-2000 01:28 PM
Fedi and Veronese are very simelar to the Vic 4, gearwise theese are straight helical gear train mechanisms copied from the well known and wide spread Ernemann 4/5 pre-war projectors. The Ernemanns, as well as the Fedi/ Veronese used barrel-type shutters with built in centrifugal fire-shutters, a very economical solution, but with the usual flaws when it comes to lamphouse designs and usable angles of light. This common background is the reason for the simelarity in design. Another direct Ernemann 5 copy is called "Walthurdaw 5" from Great Britain, which uses the exact blueprints of the original, but different so8undheads were added, as Britain was Western Electric / RCA license area, Italy and Germany were Klangfilm-Tobis license areas. Antonino Fedi's company stopped operation due to age in the early 80's. The resemblence between the Fedi 15 and the later Veronese Diamond XV b is very close, so I assume, even though never confirmed, there is family business involved.
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This topic comprises 3 pages: 1 2 3
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