No boxing gloves needed .

You are correct that since the majority (60%) of analog readers are now red LED, the "high magenta" track is the best way to go now, since it is compatible with BOTH white and red light readers. Conversion is well underway, with some labs and distributors using only "high magenta" (magenta dye + silver) tracks.

You are also correct that anyone installing a new analog reader would be wise to go with a reverse scan red LED reader, for the advantages it offers TODAY.

Despite what some may think, cyan dye tracks are not a fait accompli --- the trade testing that begins early next year will decide if the movie industry procedes with a total conversion. But once the industry decides to convert, the change is likely to be rapid, since distributors and exhibitors abhor "dual inventory" prints. There could be a real scramble for theatres that haven't converted to red readers. Installing red LED reverse scan readers is a wise thing to do, whether you favor cyan dye tracks or not.

The unknown factor is whether environmental legislation anywhere (national or state or local) will FORCE conversion. The film manufacturers and laboratories are being proactive in exploring and implementing more environmental products, processes, and procedures. It's the right thing to do.