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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » 70mm showing with 6 track SR, keep it alive (Page 3)

 
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Author Topic: 70mm showing with 6 track SR, keep it alive
Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 09-06-2000 11:17 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
well, bad news in the efforts for myself to get 70mm capability in a new install...

Got the official word today that I am going to be installing Simplex XLs rather than the three Norelco AAIIs I was drooling over... Worse yet, is that the back two auditoria (its a stadium triplexing of a large single) are going to have CFS consoles (yuck) at least the big theatre will have a 4K Strong Super-80 behind it rather than a CFS console...

Aaron

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Bill Carter
Expert Film Handler

Posts: 162
From: Minneapolis, Minnesota
Registered: Sep 1999


 - posted 09-07-2000 02:06 PM      Profile for Bill Carter   Email Bill Carter   Send New Private Message       Edit/Delete Post 
"Terminator 2" begins a 70mm run this Friday at the Heights Theater in Minneapolis. "Last Crusade" has been a big hit in 70!

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David Miller
Film Handler

Posts: 18
From: Kent, WA, USA
Registered: Apr 2000


 - posted 09-07-2000 03:17 PM      Profile for David Miller   Email David Miller   Send New Private Message       Edit/Delete Post 
The Cinerama just ran the 70mm print of Terminator 2 a couple of weeks ago. Like I said there was a slight smell of vinegar, but the color was in great shape. The left channel on the mag track is pretty messed up. I ended up turning the amps off for the left channel to eliminate the static and popping which was very bad. The print has quite a few splices and there are three obvious spots where there are scenes missing. I don't know how many 70 prints there are of this.....Maybe you will get a different print that we got, but just in case hope this helps.

------------------
David Miller
millerdk@plu.edu
Projectionist, Seattle Cinerama

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 09-07-2000 03:44 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
There are 5 magnetic and 1 CDS print of Terminator 2 in 70mm.

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 09-08-2000 12:49 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Great! Can I have one?

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Dick Vaughan
Phenomenal Film Handler

Posts: 1032
From: Bradford, West Yorkshire, UK
Registered: Jul 2000


 - posted 09-13-2000 02:12 AM      Profile for Dick Vaughan   Author's Homepage   Email Dick Vaughan   Send New Private Message       Edit/Delete Post 
Does anyone know of any theatres that still have CDS readers fitted to their projectors?

I think that one theatre in Thurrock(UK) has one just interested if there are others .

At some point we want to get hold of one for the Museum collection as example of first digital sytem technology.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 09-13-2000 03:20 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I've got a CDS system in my screening room, but I don't know of any commercial theater that has one.

Someone told me there is a dealer on the west coast that has one still in the box that was never sold. Might want to check that out.

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Dave Cutler
Master Film Handler

Posts: 277
From: Centennial, CO
Registered: Jun 2000


 - posted 09-13-2000 09:49 AM      Profile for Dave Cutler   Email Dave Cutler   Send New Private Message       Edit/Delete Post 
You have a CDS system, and it still works? Wow, did you add any ventilation or fans? I heard that all of them in the field when T2 came out fried after a few weeks. I wasn't around (working) back then so I don't know first hand, but a friend of mine told me they were terribly unstable.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 09-13-2000 10:29 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
There is some information about the ill-fated Cinema Digital Sound (CDS) system on-line:
http://members.aol.com/cds3570/
http://www.moviesoundpage.com/msp_cds.htm

Kodak was very involved in proving the design concept of being able to print the CDS digital soundtrack on the film, and in marketing the system and implementing it in the film laboratories. But the hardware design was not Kodak's. The decision to put the 35mm CDS track in the analog soundtrack area to minimize wear from the projector was the right one technically, but the lack of an analog back-up track doomed the system when there were hardware problems.

Give CDS credit for starting the "digital sound revolution" with a bits-on-film system that worked very well, except when the hardware overheated. Without this pioneering effort, the move to digital sound would have taken alot longer.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com

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