Before my time, the studios reissued films like crazy. I have a trailer for Dracula (1931) that was re-issued by Real-Art sometime in the 1940's.

Theaters need some good product to lure the jaded public out of their houses and back into the cinemas. Too many people just wait for the video release and skip the theatrical run entirely.

I, personally, would LOVE to see a re-issue of "To Kill A Mockingbird" (1962) uncut. I'm afraid that certain sectors of society would ban this film due to the unflattering portrayals of certain persons.

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(Read it: http://www.suntimes.com/index/answ-man.html )

Sometimes, people laugh when they are nervous. Besides, "The Exorcist" actually has a plot, something teenagers aren't used to. And if you don't care about a plot, you must admit; the film can be slow.

I agree with John W. Prints should be marked "EX" (or whatever) right on the leaders. The distributors are using all kinds of computer-generated labels and bar-coding to stick on reels and cans; you'd think they would get their act together and put on what format the film is in. I'm also tired of looking at a print and trying to guess if it's 1.66, 1.75 or 1.85 based on what country it's from.

They don't know any other way.

I saw this film in early 1974 at a drive-in. I laughed my head off on the first viewing. The gore looked kinda cartooney to me, and I was raised on them.

The guy sitting across the car from me was plagued by nightmares for weeks. He thinks the Roadrunner series is too violent.

Of course, it might have been different if the couple in the pick-up truck in the next space had not been naked and making lots of funny noises...

The GREASE re-release no one wanted overhere, and that goes for REAR WINDOW as well!

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I would like to just grab these other guys by the neck & shout WHAT DO YOU THINK WE GOT THIS THING FOR? TO ADD COLOR TO THE RACK?!!!

The above will only apply for a Scope print made from a Super 35 or a 65mm negative as the leaders get 'squeezed' during the printing process. A film shot anamorphically will have leaders that appear normal and unsqueezed.

I don't think anyone here needs info on the leaders to simply tell if a film is flat or scope (at least, I hope not ). I was referring to the many other flat ratios.

As for re-releases, they need to be done properly. Grease was nothing short of an embarrassment and as such Paramount should have been ashamed to put it out in the marketplace. It deserved all (or how little) it got. The image was pretty darn poor considering it was only 20 years old and the 'Digital' mix was hopeless with the musical numbers being so clear against the dialogue that it sounded rediculous as well as being a terrible mix.

It sounds like Warners have learnt from Paramount's lesson with The Exorcist and deservedly it is playing its ass off.

One more thing with the Grease thing. We took it day one of release here. It was to play for a minimum of five weeks, but it did so poorly that Paramount renegged and agreed to lose it at three weeks. This must have been hard for them as it totally ruined the 20th anniversary video release which ended up taking place in what would have been our week six.(!)

and they wonder why...

Ugh. I remember that re-release of the wretched film. (Grease)
I'm not sure how many weeks we kept it, but I do remember that on the opening night for it, we had to run it in interlock for two shows. It was a bonafide madhouse.
The TV commercials had something to do with that - in combination with a lot of people being stupid. For at least a week before we got the print, the phone was ringing off the hook. People kept calling us, all in a panic because they were under the impression that theaters were going to be running the re-release for only one day.
I wish.
Second night that we had the film, we half expected that an interlock would be necessary...
Wrong answer. Only a small handful of people showed up for each showtime. Go figure.

(Just my opinion here) ...I think that Grease is a lousy musical, and one of the worst films in existence. I just do not understand the cult following it has.

~The Purple-Tressed Booth B*tch

So what's so bad about that?

As a matter of fact i'll have a drink to that. LONG LIVE GREASE!