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Author Topic: The 'Key' to great presentation
Nick Perry
Film Handler

Posts: 19

Registered: Feb 2000


 - posted 10-04-2000 01:07 AM      Profile for Nick Perry   Email Nick Perry   Send New Private Message       Edit/Delete Post 
Greg & Michael,

Thank-you for your feedback. You obviously beleive that film-guard is an essential part of the booth. I do however beleive you are missing my point.(opinion) This topic was not about filmguard. I have never used it. It may work, it may not. I don't really care at this point. I never said film guard is crap or anything negative about the product prior to my attack.

The purpose of this topic was to find out what you as individuals focus your attention on more than any other aspect that relates to presenting a film. It could be training of staff, checking volume levels daily, monitoring your light levels etc. I simply wanted to know what you dedicate more of your time to. The whole "Don't say film guard" comment was simply to dismiss the obvious. Right there I gave the product a compliment. What I was getting at was "Don't bother to mention film-guard as it seems to obviously have quite an impact judging from everyone else's comments in the past."
I wanted methods,procedures. Things that you have come up with yourself. Not products. If I wanted products then the key to presentation would surly be the projector! Without that even film guard is rather pointless! Just a joke Brad. Calm down! Deep breaths. Count to 10!!

Greg said "Don't knock it till you try it". Hello?? Did you even read my very first post?? I didn't knock it. I did not even comment on it. All I did was say the words "film guard" and "don't" in the same sentance.

Zach, it is not "pointless bickering". If Brad had of written that sarcastic response to a topic you had posted and had taken it completly out of context i'm sure it would be a different story.

Bottom line. I have no opinion on film guard as I have never used it. I feel I have made that as clear as I can.


Nick

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 10-04-2000 01:42 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Ok, I apologize for the delay in my response, but I am just now back from a 4 day long out of state gig where I only had two very quick and dirty chances to gain access to a computer, and only even had the chance to post 2-3 responses here in that timeframe. I skimmed through everyone's responses, so if I've answered a question backwards, my advance apologies and I'll re-answer it tomorrow. I'm very tired from the trip right now, but felt this thread deserved another post from me.

Nick, to answer (in my opinion) the question you were "trying" to ask, I think the daily threading is the most important thing of all "keys". As everyone here knows, it only takes ONE misthread to destroy a print for all time.

FilmGuard is extremely inexpensive to use. How many screens does the typical non-megaplex theater have? I'd say about 8. That runs down to roughly $1 a day to clean every print in the building on every performance (provided you have enough cleaning machines to go around). If the theater in question already uses the dry media cleaner and runs it a couple of passes each week, the theater will actually SAVE money by using FilmGuard because it allows for the reuse of the pads. Hence my "cheap" comment. Sorry if it was taken wrong, that was not intended to be taken quite like that. I should've used a smiley there. Again, I was rushed to compose a response, under a lot of stress those last 4 days and was very irritated with the tone of Nick's original post.

Second, I have been referred to on more occasions than I can count as "the perfectionist projectionist" because of my incredibly anal approach to reviewing presentations. Those tiny marks at the reel changes Nick speaks of may be acceptable and a fabulous presentation to him...but it doesn't cut it for me. I apologize if we are on two different levels of rating presentations, but if it isn't better than straight out of the lab new, it's a sloppy presentation in my opinion. Until you actually use the product, you really won't have any idea just quite what it does. It does more than just clean.

Finally, if you re-read my post again and ignore my obvious annoyed tone, perhaps you will see what I was attempting to say, but apparently came across from being worded poorly in my rushed internet access time. What I was trying to get across is that if Nick truly wanted to know what everyone believedto be "the key", he should not have restricted the answers to leave out anything at all. Right off of the bat Nick demanded that no one answer with the very specific response of "FilmGuard"...and yet he has never even tried it! I shouldn't have to explain myself further on that. Surely at least the majority of readers can see my point. If it's still not clear, I'll write a more lengthy response when I am awake.

And not that it matters to anyone, but this site is kept "on the air" exclusively from the sales of FilmGuard. This month's expected bandwidth bill hit an all time high of $2700+hosting fees...and I'm still eating the cost WITHOUT those banners no one liked. This is precisely why I am having to move the servers around AGAIN and without Mr. Scott Norwood's help, I am not sure what I would be doing right now. (In case I don't say it enough, thank you again Scott for all of your help!!!)

Perhaps it is not very nice to say this, but to Nick...if you have a problem with me or something on this site just leave. My honest to goodness "uncensored" opinion is that I am running this site as a service to fellow technicians and projectionists in the industry. My goal here is to help everyone around the globe put on the best presentation they possibly can (with everyone else's help of course who post on the forum). I have never charged a penny for it, despite the costs I have had to endure to keep it going. Your posts here make me wonder why in the hell I bother, since you obviously do not appreciate my time, effort and money I have put into it by starting a thread and very intentionally and specifically refusing the one product that I sell which keeps this place running to be considered a possibility as an answer.

Putting everything aside (even though I know it is not what you were trying to ask), FilmGuard IS "the key" to arriving at a final perfect presentation, assuming the presentation was fairly decent in the first place.

To David Kilderry,

My apologies for the line "If you say that because your boss won't allow you to use it, then your boss is either cheap, or does not care about your presentation." Having an excess of stock in-house is certainly not being cheap. Nick gave the impression that the theater did NOTHING to clean their films and would not purchase anything.

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 10-04-2000 01:46 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
I don't want to fuel this further, but Nick, you did say...

>>Personally my main focus is at the workbench. Dirty & scratched film bothers me!<<

If that is true, and I do not doubt that it is, then obviously Film Guard should be on your 'essentials' list of equipment for your booth.

Brad said something like 'you won't believe it until you've tried it'. That really is true. No matter how careful you are at the bench and putting it onto the plate etc...it will never...,never be cleaner than running FG.

We're runnig with Kinoton FP30's were using PTR's to go with it. We were at our 5th week of X-Men. I looked at it and thought 'Man, this print really does still look great considering the passes it has had (about 160). Then I installed FG and a Kelmar cleaner...the print was not running in the FG auditorium.

I went back to that print in its 6th week and I could not believe that I had even considered this print to be looking great. I noticed all the black spots of dirt (and the Kinotons are pretty kind so it wasn't like it was shedding or anything...it was just looking like it had been run 175 times.

We are now completing our run of our first 'new' print which has been FG'd from the beginning. After 130 passes, 'Pokemon 2000' literally does not have a mark on it. It looks better than it did when it first ran through the machine.

Brad is proud of his creation and I don't care what his scientific background may or may not be. This stuff works. I can understand his defence although he may look at it days later and think himself that he jumped the gun a little bit in his response, I don't know.

The bottom line is...there are SO many things that add to better presentation, but you can't say 'don't say Film Guard' for saying that makes the discussion incomplete.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 10-04-2000 01:50 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Just remember...........
FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD, FILMGUARD..........
Keeps your presentation the best in town!
Mark


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Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 10-04-2000 01:53 AM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
One very obvious thing that too many don't seem to get is that you have to spend time IN the theater, in other words WATCH THE MOVIES!!! I've heard of some managers who hardly watch anything, I however have been watching EVERY movie at least once, even the ones I'm sure I'm not going to like. I do this mostly because I think it's a waste to be able to see a movie for free and not do so, but more importantly it makes you check out everything in the auditorium that the customers do, and you get to notice any abnormalities with each one in a multiplex. I started working at a 16-screen theater and don't know how long it will take me to have watched an entire movie on all 16 screens, but I'm going to make a point of doing it!
If there's one thing I can't stand, it's people who don't watch the movies telling me what to do!

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Nick Perry
Film Handler

Posts: 19

Registered: Feb 2000


 - posted 10-04-2000 02:47 AM      Profile for Nick Perry   Email Nick Perry   Send New Private Message       Edit/Delete Post 
Well, since you won't let this drop....

John,

If your having problems keeping prints clean with an FP 30 then there is something seriously wrong. This is precisly my point of the topic. What procedures (that's PROCEDURES to all the idiot's) do people pay attention to.
John, filmguard may remove all that dirt and minor base scratches from your print but maybe you should be asking yourself before you put on filmguard, "why are my prints getting covered in crap in the first place". I assure you this is all to do with PROCEDURES. Things like people spinning out ads at excessive speeds, ad change techniques, cueing procedures etc. I am glad John that your filmguard is able to make up prints, do all the ad changes, write up the running sheets and so on because the way all you people are talking it seems to do the fricking lot. All I wanted from this topic John was to hear what procedures you have in place to improve things such as film make-up. I honestly don't know why you all keep going on about film guard. I have made it quite clear that my comment was not putting down film-guard. Just because Brad feels he has to defend himself I really thought that you would have the intelligence to understand what I was really trying to say. But a good thing has come from this. At least people have seen Mr Millers true colors.

You can all go ahead and quote me on and on but that will not resolve what has come out of this. Brad Miller is constantly hanging this web site over peoples heads to obviously gain exposure to his product.
His remark about film-guard running the web site is crap. The members run the website. If you have no members you have no web site.
And you know what that means Bradley. No $$$$$.

Anyone ever wondered why company reps post here less and less. Well, because if Brad can't work the thing it immediatly gets bagged. If you think my comments are ignorent I am glad. Now you know who Sony felt when some moron on this site with no idea gave them a bad review amongst other great products.

Anyway, this topic has ended my patience so your wish is granted. This is my last post.
Well done Brad, another person with an opinion you got rid of. Hopefully you can get rid of all of us then you can sell filmguard to everyone. (Look, it may work and I take those opinions of people who swear by it but that is beside the point. We are now way beyond the discussion of filmguard being effective)

Anyone that thinks there a profectionist projectionist is full of themselves. There is no such thing. Everyone makes mistakes.

Goodbye all,

I have enjoyed listening to your thoughts over the past 6 months and learned alot in the process.

Nick

Oh! One last thing. Great excuse about that vacation Brad. Did you spend all day thinking of that one. It was a little lame.


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Frank Prete
Film Handler

Posts: 55
From: Victoria, Australia
Registered: Sep 2000


 - posted 10-04-2000 03:02 AM      Profile for Frank Prete   Email Frank Prete   Send New Private Message       Edit/Delete Post 
Jesse, you make a great point here. I think that sometomes operators dismiss little problems with their presentation with the mentality that says 'Well the average customer doesn't know about the finer points of film presentation so I wont try so hard'. Unless you you get into your auditoriums and check it from their point of view you are missing the whole point of the experience.

Brad, in regard to your passionate response to Nicks passionate response, I'm sure that anyone who takes enough time to read and comment on Film Tech understands that this site must take a large amount of time to maintain. I also know from personal experience that there are many valuable things that can be learned from this. Every time I log on I read of some new or different way of doing something, and that is a credit to this site and the subscribers who write here. No doubt with this topic alone, Nick and all readers have learnt or have questioned film handling techniques and the finer points of their own presentation. If this is so, you have achieved in what the site is meant to do.

Correct film handling in all of its forms is the most important thing in a projection room. And from this heated debate we all have learnt a little something about doing that better

Frank Prete

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 10-04-2000 04:20 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Nick,

I never said I was a perfect projectionist, that was a nickname people would tease me with because I am so picky. I agree with you, there is no such thing. Also, it wasn't a "vacation". Did you not even notice I have been virtually nonexistent on the forum for the last 4 days? Hmmmm, yes I must be lying about being gone as a lame excuse then. Why I bother doing this to try and prove to you Nick I don't know, but here's a couple of the friggin' receipts for gas in New Mexico and Texas. Lots 'o trust here. It's so much appreciated. Perhaps next time I am on the road I should make a live webcam to appese you. My privacy of where I go and what I do isn't worth anything anyway, right?


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Nicholas McRobert
Film Handler

Posts: 38
From: Belfast, N. Ireland
Registered: Nov 1999


 - posted 10-04-2000 07:23 AM      Profile for Nicholas McRobert   Email Nicholas McRobert   Send New Private Message       Edit/Delete Post 
Holy crap! Only $1.79/gallon?? If I could get fuel for that price, I would buy the whole of my company FilmGuard

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Greg Pauley
Expert Film Handler

Posts: 173
From: Huntington, WV, USA
Registered: Jun 2000


 - posted 10-04-2000 08:43 AM      Profile for Greg Pauley   Author's Homepage   Email Greg Pauley   Send New Private Message       Edit/Delete Post 
I think taking care of the basics, proper threading, timely PM and good and ongoing training is the most important steps to good presentation. I do think keeping the film from touching the bear hands or any surface is very important to keep the print clean. Here is a training tool I use when training new people. I take a old unused preview (I know some of you bitch about not getting enough previews and here we are not using what we have) and pass around the room and encourage everyone to touch and put their finger on the film. I then take the film and take talcum power and shake all over the film. It looks like the FBI has been there taking finger prints from the film. I also spread power on the table top and drag the film over the power to show the trainees how much power (dirt) get on the film. This is a good visual aide to get your point across about keeping the prints clean. The most important thing, if I can steal a line from the real estate business is training, training ,training and testing, testing, testing. It's not good enough to say you know the correct way to handle film you must pass a live test before being turned loose in a booth. As far as keeping the film clean, even if you made sure the film didn't touch anything during the makeup the film is going to attract dirt during the performance. This is were I think FilmGuard (I am not Brad) comes into play. I choose to use this product because it works at keeping the film clean and reducing static which acts like a magnet to dirt which is in the air and film path in all booths regardless of how clean or well maintained. I must admit that I haven't tried the thread up method of threading, but I'm sure it has to be better than dragging the film over the floor you walk on.


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Dennis Atkinson
Expert Film Handler

Posts: 129
From: Birch Run Michigan
Registered: Feb 2000


 - posted 10-04-2000 09:39 AM      Profile for Dennis Atkinson   Author's Homepage   Email Dennis Atkinson   Send New Private Message       Edit/Delete Post 
I totally understood Nick's first post.
Film Gaurd is the icing on the cake, but if a recipe isn't followed, the icing doesn't matter. Does it!?

Thank you Brad,
Great site with real content

It's not said enough.

Dennis


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Jason Burroughs
Jedi Master Film Handler

Posts: 654
From: Allen, TX
Registered: Jun 99


 - posted 10-04-2000 12:11 PM      Profile for Jason Burroughs   Email Jason Burroughs   Send New Private Message       Edit/Delete Post 
Nick, you have have already left us but here it goes anyway
IHMO, the key is that all things must work hand in hand. Will filmguard make all your presentations in frame and perfect focus? No, Will Filmguard keep an untrained or uncaring projectionist from destroying a print by mistreading it? No, BUT neither will a detailed examintation, frame by frame at a surgicly clean workbench. Less damage occurs at the work bench than when the print is during its run, being treaded etc,
What FilmGuard WILL do, is HELP keep the prints in better shape than you could achieve otherwise. Its a TOOL not a cruch, and I do not belive Brad or anyone here trys to make it to be anything other than a tool. (except in obvious cases of jest).

So before people go off half cocked that Filmgurad is uncessesary, let me say one thing. Washing your car isn't necessary but it certinaly helps it look better, and it will help the paint job last longer.

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Mark Lensenmayer
Phenomenal Film Handler

Posts: 1605
From: Upper Arlington, OH
Registered: Sep 1999


 - posted 10-04-2000 01:41 PM      Profile for Mark Lensenmayer   Email Mark Lensenmayer   Send New Private Message       Edit/Delete Post 
Nick Perry, on 10/4/2000, said "The members run the website. If you have no members you have no web site.
And you know what that means Bradley. No $$$$$."


Sorry to be off-topic, but I used to fight this "the users own the site" nonsense back in the old text-based BBS days (yep...pre-Internet...when 300 baud was king!)

I can't stay silent on this. The website belongs to Brad...PERIOD. It could be a commercial site for the sole purpose of promoting his product. BUT, Brad has allowed the users to make this site THE source for information on motion picture presentation. A web site with this much material and volume costs a lot of money, and its all coming from Brad's pocket.

Thanks, Brad.

Now, back to the topic at hand...

Mark L.

------------------
"As a moral to young men who come down to the city, don't go round breaking people's tambourines."

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Jason Burroughs
Jedi Master Film Handler

Posts: 654
From: Allen, TX
Registered: Jun 99


 - posted 10-04-2000 04:50 PM      Profile for Jason Burroughs   Email Jason Burroughs   Send New Private Message       Edit/Delete Post 
In fact my understanding is that Brad makes no money on this site, infact I belive he pays every aspect of it, out of his own pocket.

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 10-04-2000 05:57 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Nick said...>>If your having problems keeping prints clean with an FP 30 then there is something seriously wrong. This is precisly my point of the topic. What procedures (that's PROCEDURES to all the idiot's) do people pay attention to.<<

As I stated, I honestly believed that my print looked great. The Kinoton is indeed the kindest machine I have ever had the pleasure to use. Obviously you think so too judging by your comments that there must be something seriously wrong.

There wasn't...but in hindsight, there was...
I hadn't tried FG at that point.

Nick, this is the last I'm going to say on this matter because frankly we are all in trying to achieve something here together and this bickering is not going to help anybody.

As I said, there are many things which make presentation better. However, I am assuming you actually do know how to make a correct splice without scratching the print.

You asked the question, remember? I'm not about to give you all the answers as there's plenty of us here able to add their two cents...but you did ask the question...

>>Since presentation is what most of us pride ourselves on I am interested to hear what you beleive is the KEY factor in providing great film presentation.<<

The 'key' in my opinion is Film Guard. You can do whatever else you like to think your prints are spectacularly clean...you will still not have a print that looks as marvelous as a new print straight from the lab after 130 passes as mine will. Hell, my print that has done 130 passes will look better than a 20 pass (or less) copy of an untreated print. And I only stop at 130 as that is the most passes we have done thus far with a FG'd print. I fully envisage that after 300 runs, it will look no different.

So my procedure... (I will now point out to you clearly that this is my procedure so you will not mistake it for a shopping list. Did we all really have to clearly add the word procedure so you would know what it was? Just because we know how to read and construct a reply post without stating the bleeding obvious does not make us all idiots, but for your benefit I will point out the fact as you seem to require it to be made abundantly clear to you)

...my procedure I now put in place is to make sure all prints are treated with FG. Got it now?

Nick, you asked a question and I gave you my opinion. Isn't that the reason people ask questions?

I am sorry that you are going, but that is your loss, not ours.


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