Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » New Product: The Align-O-Tron (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: New Product: The Align-O-Tron
Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 08-01-2001 06:55 PM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
You're a lot better (unaided)aligner than I am Gordon. My improvement was about a million percent with the Align-O-Tron.

------------------
Greg Mueller
Amateur Astronomer, Machinist, Filmnut
http://www.muellersatomics.com/

 |  IP: Logged

Freddie Dobbs
Expert Film Handler

Posts: 115
From: Pinson, AL, USA
Registered: Jun 2001


 - posted 08-01-2001 08:35 PM      Profile for Freddie Dobbs   Email Freddie Dobbs   Send New Private Message       Edit/Delete Post 
Did any one figure out the cost of the laser, A theif in Atlanta has mine and I need to purchase a new one..

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 08-01-2001 10:59 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I've been playing with one of these lately too and I must say I am quite impressed with the ease and accuracy of this tool. This beats the "string" hands down...no, in fact the string is a joke compared to the Align-O-Tron! I haven't done any light meter comparisons, but can state that the improvement in light output on screen does not need a meter to see the difference. Use it to align the lens holder/turret with the aperture, reflector and anode support and the difference will astonish.

Highly recommended!

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 08-02-2001 07:04 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
There is no doubt that proper alignment will yield greatly improved light on the screen. Another benefit is improved contrast and less optical flare. In simple terms, if the lamphouse is not perfectly aligned, the light may enter the lens at a slight angle and "bounce around" inside the lens, increasing optical flare and reducing contrast.

An analogy is trying to spray a stream of water through a drainpipe --- if the spray is perfectly aligned with the pipe, the water goes straight through, full-force. But if the water enters the pipe at a slight angle, much of the force of the water is lost, and some dribbles out the other end of the drainpipe.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


 |  IP: Logged

Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 08-02-2001 01:01 PM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
Why not fit a small optical flat mirror in the target tool?

This is what the Strong kit does, we've found it to be very effective.

 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-02-2001 01:18 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I ended up doing that as well as makeing my own plugs for the 4K orcon and the cinemecanica zenith 2000H that insert from the front since there isn't any space behind the reflector that allows easy access for the plug I also machined a smaller apperture for the laser to reduce the spot

 |  IP: Logged

Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 08-02-2001 02:05 PM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
I thought of putting the mirror in the pyramid part, but I was worried about people having to look at the pyramid during the lamphouse alignment phase and potentially catching an eye full of reflected laser. So I kept the two processes seperate. First you align the lamphouse, then you align the reflector.

------------------
Greg Mueller
Amateur Astronomer, Machinist, Filmnut
http://www.muellersatomics.com/

 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-02-2001 04:25 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The only problem in doing it in two phases is that you can end up moveing the back of the mirror off axis while moving the front to fire the beam back. Most lamphouses do not have the springs like the newer superlumexs but the mirror is fixed inside the box. So you need to be able to maintain the focus on the centre of the vortex of the mirros and shoot it back to the lazer in one step

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.