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This topic comprises 4 pages: 1 2 3 4
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Author
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Topic: Message to Projectionists, etc re Moulin Rouge
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Peter Dougherty
Film Handler
Posts: 36
From: Maspeth, NY, USA
Registered: Nov 2000
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posted 06-04-2001 12:28 AM
quote: Our average age is 24. We all check the start-up of each film, and the start of every feature including focus, framing, fuzzy edges, misframes etc, etc.
If that is the only time you check, you're doing your audiences a huge disservice. I firmly believe in checking focus, frame, sound and film path at least once every half hour in every auditorium. I alo believe in standing by machines while trailers are running to ensure flat-to-scope conversions and sound formats are executed properly.
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Matt Elzie
Film Handler
Posts: 17
From: Santa Cruz, CA, USA
Registered: May 2001
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posted 06-04-2001 04:46 AM
This is weird: apparently the MR print we received was actually missing part of the end of the feature. I was told that, during the finale, the film cut abruptly (and in mid-sentence, no less) to the closing credits. This was not a projectionist error during make-up, either. The situation was eventually remidied when we were sent a replacement for reel 8, the reel on which the error occured. However, since I wasn't there, I may not have all of the correct information. Still, I would like to know if this has happened to anyone else. I'll post again as soon as I know exactly what happened.
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 06-04-2001 06:26 AM
With attached previews, it may be that the distributor doesn't want anyone cutting off the preview or having a gap between the preview and feature, so they leave minimal black and they overlap the sound. It's not usually the lab that makes that decision, so don't blame them.------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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Bill Langfield
Master Film Handler

Posts: 280
From: Prospect, NSW, Australia
Registered: Apr 2001
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posted 06-04-2001 01:43 PM
Regarding Moulin Rouge.The trailer Planet Of The Apes, should not be removed. It was printed in there for a reason. (This is called hardlocked - for A REASON) Your 'policy' tag should be inserted 3 feet or less after you see the number 3 on the leader of reel 1. How some people are mentioning the first few BUMP-BUMP of the Fox fanfare are being cut off, due to no frame lines is beyond belief to me. Ever heard of a frame counter? However, I know FOX cut short the fanfare when it is clearly a crap movie. (The Abyss and Aliens get excused) At least look at the analouge sound track, the cut foot back towards the leader, taking into account that you dont include the Number 3 'beep' Bill. Soon instuctions for every movie will be sent from the director and studio if simple things like this are not understood.
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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99
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posted 06-04-2001 02:08 PM
Bill, Geez, give people a little bit of credit, will ya? I know what I am doing and there are plenty more people here that do as well. Every single possible frame of black was saved. The cut was done on the last frame of the attached trailer. The problem here is that Fox is OVERLAPPING the audio into the end of the trailer. This is NOT a projectionist fault. Also, apparently you did not read my post above thouroughly. Do you remember this line? "most theaters REQUIRE the cutting of the attached logo so their policy trailer can be inserted." Yes, theaters REQUIRE the placement of the policy immediately before the feature starts. I am not going to break a theater's policy simply because someone seems to think that overlapping the audio will force everyone to not cut it. The trailer still plays before the feature. Fox should not have a problem with it provided the trailer DOES play.
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Bill Langfield
Master Film Handler

Posts: 280
From: Prospect, NSW, Australia
Registered: Apr 2001
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posted 06-05-2001 05:14 AM
I agree that the policy tag should the last thing you see before the feature, as it has the foils to bring the house lights down and do the lens change, and lets eveyone the know main show is about to begin.However it becomes a difficult for us as our new tag only comes in Widescreen. No matter what we say they won't make a c/s version. (And I'll bet it's because of the cost) So we have to put it after the last w/s trailer and before the hardlocked c/s trl. With the over lapping sound track, I'll have check that out. If its true, you've got to wonder why they have done that. I don't know. Bill.
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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999
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posted 06-06-2001 08:26 AM
BillI thought they were all scope tags. Thems peeples is crazy. If they only come in w/s and they insist you run it, then I wouldn't be running the scope trailer. There is nothing in the film's rental contract that says you MUST run the attached trailer. Besides, Apes isn't until August and there's plenty of titles coming out before that one. John.
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Tao Yue
Expert Film Handler

Posts: 209
From: Princeton, NJ
Registered: Apr 2001
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posted 06-06-2001 10:17 AM
Bill,What did you mean when you stated that Fox cut off the fanfare for _Aliens_ and _The Abyss_? What was missing -- part of the opening drums or the Cinemascope Extension? Until recently, flat films never had the extended Fox fanfare. The Cinemascope Extension was composed by Alfred Newman specifically to promote Cinemascope films. _Aliens_ is flat and so the shorter original fanfare is expected. In fact, in the seventies and eighties, even anamorphic Fox films, like _Alien_, sometimes used the shorter fanfare. I suppose it's due to the influence of _Star Wars_, which made the extended fanfare so well-known, that Fox began putting it in all its movies. An example is _Quills_ from Fox Searchlight, which was shot flat, but opened with the Cinemascope Extension to the fanfare. On a related note, isn't the 50th anniversary of Cinemascope coming up soon? Considering how much of a milestone it was, Fox should do something, perhaps revive the "A Cinemascope Production" tag which goes after the searchlight logo. Go to Martin Hart's http://www.widescreenmuseum.com/ if you've never seen the tag.
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