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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Luminosity envy (mine is brighter than yours) (Page 2)

 
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Author Topic: Luminosity envy (mine is brighter than yours)
David Kilderry
Master Film Handler

Posts: 355
From: Melbourne Australia
Registered: Sep 1999


 - posted 06-08-2001 09:03 AM      Profile for David Kilderry   Author's Homepage   Email David Kilderry   Send New Private Message       Edit/Delete Post 
Today we are seeing 5,000 watts through 35mm without water cooled heads (Kinoton FP50 and Cinemeccanica Vic 5) and no adverse effects. Add water and we run 7,000 watts and still have the film staying in shape and don't burn our fingers on the gate!

If 70mm film was run exclusivly through a conventional maltese cross movement projector (not a Jones rolling loop) what size lamp would the film handle?

The light (heat energy) is spread over a much larger frame. Would it handle the new 10,000 watt xenons? Is a 70mm release of major films viable if they continue to have screens 60ft plus in width? I love big screens, but if they only have 10fl or less it defeats the purpose.

David Kilderry

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-08-2001 12:32 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
David Kilderry asked: "The light (heat energy) is spread over a much larger frame. Would it handle the new 10,000 watt xenons? Is a 70mm release of major films viable if they continue to have screens 60ft plus in width?"

The projectable image area of a 5-perf 70mm print is 1.912 x 0.870 inches (48.56 x 22.10 millimetres). The projected image area of 35mm "scope" is 0.825 x 0.690 inches (20.96 x 17.53 millimetres). So the image area of 70mm is almost three times greater than that of 35mm scope. Theoretically, with proper heat filtration and gate cooling, you could put three times the radiant energy through that 70mm frame, compared to 35mm.

In practice, the largest lamphouse available for that format today is 10,000 watts (e.g., the Kinoton Universal Lamphouse or other lamphouse designed for special venue 70mm). If the energy is spread uniformly across the 70mm frame, 10,000 watts is certainly practicable.

Making 70mm prints for huge screens is certainly viable. 65mm/70mm films are readily available from Kodak. Several labs worldwide (e.g., CFI, Technicolor, Imagica, etc.) have printing and processing capability, including "blow up" printing from 35mm originals. DTS Digital Sound has proven itself reliable with the 70mm releases of "Titanic" and "Vertigo". Distributors have been willing to make special 70mm prints for some European theatres (e.g., Spektrum, Kinopolis) and premier events.

But 70mm prints do cost considerably more than 35mm, primarily due to the cost of making the 65mm printing negative, and the more labor-intensive and slower printing and processing operations required (e.g., printing the DTS timecode now requires a second pass through the printer). Hopefully, the "Splendor of 70mm" will live again.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Peter Berrett
Jedi Master Film Handler

Posts: 602
From: Victoria, Australia
Registered: Nov 2000


 - posted 06-09-2001 01:55 AM      Profile for Peter Berrett   Author's Homepage   Email Peter Berrett   Send New Private Message       Edit/Delete Post 

This begs a question then.

Do the benefits of screening in 70mm at a Drive-in outweigh the costs?

Put another way what is the practical experience of drive-in theatre operators? If you make a much brighter and better picture does this translate to more $$$ through the gate and is this sufficient to defray the extra costs associated with running 70mm?

Sadly, I have a suspicion that many drive-in patrons do not worry overly about the degree of luminosity as long as the picture quality is adequate. The drive-in 'experience' is more than just what is on the screen.

Still I look forward to seeing a brighter image at my local drive in one day.

cheers Peter


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Dave Bird
Jedi Master Film Handler

Posts: 777
From: Perth, Ontario, Canada
Registered: Jun 2000


 - posted 06-09-2001 10:02 AM      Profile for Dave Bird   Author's Homepage   Email Dave Bird   Send New Private Message       Edit/Delete Post 
The best way is to attend "country" drive-in's where the screens are 50-60 ft. There is one reasonably nearby here that was 14.5fl
when intstalled, it's stunning and LOOKS bigger than screens I know to be larger. Not surprising when we hear that even indoor screens average less light.

Next question, not sure we ever covered, where a 35/70 projector was set up for 16fl
(let's say with a 7K bulb), how much light would be achieved with 70mm on the same screen with same bulb? (I'm assuming they wouldn't change lamps). Is there a gain or loss?

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 06-09-2001 06:00 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
>>Put another way what is the practical experience of drive-in theatre operators? If you make a much brighter and better picture does this translate to more $$$ through the gate and is this sufficient to defray the extra costs associated with running 70mm?<<

If you can convince the studios to strike 70mm prints for drive-ins (since that they wouldn't do the same for a hardtop anyways),then I will be truly amazed!! The studios couldn;t give a rat's ass about a drive-in..

>>Next question, not sure we ever covered, where a 35/70 projector was set up for 16fl (let's say with a 7K bulb), how much light would be achieved with 70mm on the same screen with same bulb? (I'm assuming they wouldn't change lamps). Is there a gain or loss?<<

Depending on the lenses and screen sizes, there would be a HUGE gain in luminance with 70mm for a given wattage comapred to 35. You simply can force more light thru a bigger hole

-Aaron

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Peter Berrett
Jedi Master Film Handler

Posts: 602
From: Victoria, Australia
Registered: Nov 2000


 - posted 06-09-2001 10:23 PM      Profile for Peter Berrett   Author's Homepage   Email Peter Berrett   Send New Private Message       Edit/Delete Post 
Funny...

I drove by the Coburg drive-in today and looked up to see somebody chainsawing the ends and top from Screen 1 (110 foot wide). ZZZZZZZZZZZZZzzzzzzz

Well - its one way to get a brighter picture <smile>

cheers Peter



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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-10-2001 06:46 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Peter said: "I drove by the Coburg drive-in today and looked up to see somebody chainsawing the ends and top from Screen 1 (110 foot wide)."

I'd hate to think they are doing it because someone read Film-Tech and found they could't get 16 footlamberts on a 110 foot screen. With 70mm prints, they might be able to.

Frankly, if light were the issue, I'd keep the huge screen and use a longer focal length lens when I didn't need to fill the full screen for a full lot. Just encourage people to park closer to the smaller, brighter image.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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David Kilderry
Master Film Handler

Posts: 355
From: Melbourne Australia
Registered: Sep 1999


 - posted 06-12-2001 04:20 AM      Profile for David Kilderry   Author's Homepage   Email David Kilderry   Send New Private Message       Edit/Delete Post 

OK Peter and John, I get the point. Just give us a chance to boost the light with the existing focal length and screen size. I do not want to be responsible for cutting down the size of Australia's largest operating drive-in screen!

We have a lamphouse and rectifier (power supply) upgrade on its way with 7,000 watts. Screen repaint is due this year and new lenses if necessary. We will give Theatre One at Coburg every opportunity to produce some decent light. All screens are 70mm capable if anyone ever makes a print available again for a drive-in.

Oh, and more scope prints please shot a few stops over!

Check it out at......

David

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Peter Berrett
Jedi Master Film Handler

Posts: 602
From: Victoria, Australia
Registered: Nov 2000


 - posted 06-12-2001 09:14 AM      Profile for Peter Berrett   Author's Homepage   Email Peter Berrett   Send New Private Message       Edit/Delete Post 
David said

"OK Peter and John, I get the point. Just give us a chance to boost the light with the existing focal length and screen size. I do not want to be responsible for cutting down the size of Australia's largest operating drive-in screen!"

Just kidding David. We love your Drive-in but more light is always welcome.

"We have a lamphouse and rectifier (power supply) upgrade on its way with 7,000 watts. Screen repaint is due this year and new lenses if necessary. We will give Theatre One at Coburg every opportunity to produce some decent light. All screens are 70mm capable if anyone ever makes a print available again for a drive-in."

Actually for readers, Theatre 1 isn't all that bad now. I've been there and it looks ok. You can never have enough footlamps however.

For those wondering what all this discussion is about you can have a look at the Coburg Drive-in at the following link.
http://www.drive-insdownunder.com.au/australian/vic_coburg.htm

The establishment is well run, always clean.
and the staff are friendly (no I don't own shares in Village).

The Drive-in is easily accessible from the city centre (about 15 minutes drive) so if you are visiting Melbourne for any reason it is a must see.

cheers Peter



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Dave Bird
Jedi Master Film Handler

Posts: 777
From: Perth, Ontario, Canada
Registered: Jun 2000


 - posted 06-13-2001 03:36 PM      Profile for Dave Bird   Author's Homepage   Email Dave Bird   Send New Private Message       Edit/Delete Post 
If you click on the link above, not only will you see a beautiful drive-in, but listen to this..... Realizing that a market exists, two RIVAL chains actually run this together. Not only that, they're adding to the "feel" with old billboards and nostalgia everywhere with a fabulous snack bar! I also noticed in another topic, David mentioned that they have new intermission films struck every 3 years AND RUN PROMO SNIPES AT THEIR INDOOR MULTIPLEXES!!! How refreshing is that? Two chains realizing that there is a market here, and doing a "bang-up" job at that! Take a look at the pix, and then you tell me if ANY chain (let alone two) in the world is putting this much effort into an outdoor, well done!

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Peter Berrett
Jedi Master Film Handler

Posts: 602
From: Victoria, Australia
Registered: Nov 2000


 - posted 06-14-2001 06:48 AM      Profile for Peter Berrett   Author's Homepage   Email Peter Berrett   Send New Private Message       Edit/Delete Post 
The good thing at this stage is that it is popular without becoming so popular that a lot of people you'd rather weren't there show up. The crowd that show up are pretty well behaved. In fact a lot of the patrons are quite yuppiesh - you see lots of 4 wheel drives!

It is good however to see that the drive-ins are successful and that in recent years they have been adding screens. My great hope is that someone will reopen the Wantirna Drive-in Theatre which is near to where I live. Coburg services the northern suburbs of Melbourne and Dromana largely services the southern suburbs of Melbourne however for residents of the eastern suburbs it is an hour's drive to either drive-in theatre.

The Wantirna Drive-in is thankfully largely intact and would enjoy bumper crowds from day 1. It is a real shame to see a largely intact drive-in in an populous area of young families sitting idle. Arguably it should never have been closed. It was owned by Trash and Treasure who run a sunday market there every week for a while and then was purchased by the State Government as a potential site for a public hospital. Thankfully this proposal fell through and the site now sits in limbo.

Recently I nominated the site to the National Trust as a site of significant historical interest. The snack bar has a unique architecture. It looks like a Pizza Hut with a projection room in the roof!

The site is largely complete and includes a ticket box, snack bar including inbuilt projection room and a separate brick projection room built later. The ramps are intact. All it really needs is three x 160ft screens (yes - 160ft screens - wouldn't that give a huge image!), 70/35mm projectors, some radio transmitters and some TLC.

Where are our cinema entrepreneurs? As the site is sitting idle chances are that the site could be leased for a peppercorn rent. The foundations for the screen are there - just buy a second hand drive-in screen from a country area set it up and make a fortune from all the young families in the area. Arguably the drive-in would be more profitable than some cinemas in Melbourne at present!

Perhpas a new (to Melbourne), aggressive, entrepreneurial cinema chain with loads of cash (ARE YOU LISTENING READINGS?!) might give some consideration to re-opening this Drive-in.

Won't somebody please re-open the Wantirna Drive-in Theatre?

<smile>

http://members.optushome.com.au/pberrett/drivein/theatre.html

Let's have some more luminosity at Wantirna.

cheers Peter

ps sorry to ramble on again about Wantirna but seeing this cinema open again is my holy grail.



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David Kilderry
Master Film Handler

Posts: 355
From: Melbourne Australia
Registered: Sep 1999


 - posted 06-16-2001 02:04 AM      Profile for David Kilderry   Author's Homepage   Email David Kilderry   Send New Private Message       Edit/Delete Post 
Dave,

Thanks for your great comments about Coburg drive-in. Hoyts sold out of the venue in the early 1990's and it has been 100% Village Theatres since that time.

It was built as an independent in 1965, was acquired by Hoyts in 1968 and closed by them in 1984. Village and Hoyts re-opened it in 1987. It is the last drive-in operated by Village who once had 40. It was also the last drive-in that Hoyts had any interest in.

It will feature on the nightly news next week here (Channel 7) and has had radio and news articles on it in the last week, all this when we are in mid-Winter! No, it does not snow here so drive-ins run all year round.

Peter:

You are on the right track with Wantirna, it was a beautiful site. It is very difficult however for anybody to commit to the location once it was bought by the Govt who could decide to build that hospital at any time.

David Kilderry

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Dave Bird
Jedi Master Film Handler

Posts: 777
From: Perth, Ontario, Canada
Registered: Jun 2000


 - posted 07-04-2001 12:10 PM      Profile for Dave Bird   Author's Homepage   Email Dave Bird   Send New Private Message       Edit/Delete Post 
Hey, if David really was chainsawing the screen to get more light ,
don't laugh, it's been done before. Look what I stumbled on today,
the recently closed (last year) Edgemere in Shrewsbury Mass did just that. You've gotta see it, there really is nothing new under the sun!
www.drive-ins.com/detail.php?code=maedge

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Peter Berrett
Jedi Master Film Handler

Posts: 602
From: Victoria, Australia
Registered: Nov 2000


 - posted 07-05-2001 04:10 AM      Profile for Peter Berrett   Author's Homepage   Email Peter Berrett   Send New Private Message       Edit/Delete Post 
Dave

Fortunately there are less destructive ways of increasing luminosity!

David

Yes it would take a bit of cash to get Wantirna up and running but not as much as you might think. One would not have to buy the site - one could simply lease it from the Government until such time as they decide what they are going to do with it. At present it is still used on Sundays by Trash & Treasure and idle the rest of the week. The Government would probably be glad for a little extra revenue generated from the site.

I have been told that in the past there was a consortium that wanted to reopen Wantirna but Trash & Treasure wouldn't play ball. With T&T sidelined there is no impediment to a new operator making a bid to reopen the site.

The main expense as I see it is the screen. The foundations are there - maybe a country drive-in screen could be bought cheaply second hand and reconstructed on the site (Yarrawonga?). A major cinema chain probably would have a spare projector lying around somewhere. Snack bar and projection rooms exist already. The only other thing would be some repainting of the ramps and a FM transmitter for sound.

Even if Wantirna is never open full-time again I hope that somehow there could be at least one more night when movies are shown at Wantirna, perhaps with a portable screen. It would be a memorable night (particularly if the former resident prostitute turnes up!).

cheers Peter


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