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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » ErneMann Projector Opinions (Page 2)

 
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Author Topic: ErneMann Projector Opinions
Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-03-2001 09:31 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Sorry Gord, but you are caught in a web of hate for the Ernamanns here........I totaly agree with Steve on the issue that they are a Kinoton wannabe. The main thing is that they would have to make a copy of the Kinoton to actually be.

The fact is that both the Ballantyne and DP75 have oil level indicators(actually similar to each other). Makes life easy
Mark @ GTS

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 08-03-2001 05:48 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Did I just read that right? So is the Pro35 (a projector most here ridcule) and the DP75? My DP75s have a drain hose and I can tell you how much oil is in the intermittent at all times...what is your point?

Steve

PS...the Ernemanns leak too (as all oil based machines will eventually do to some extent)

------------------
"Old projectionists never die, they just changeover!"

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-03-2001 06:34 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Still compared to some machines they have given far less grief

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Mark Gulbrandsen
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From: Music City
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 - posted 08-04-2001 11:00 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Steve,
Indeed the Pro?-35 and the DP-75/FP series have similar oil level indicators. In the case of the DP/FP series this is a 500.00 molded plastic tube with cap that is at the top of the intermittent. In the case of the Pro?-35 its a nickle worth of cheap plastic tubing. Both however serve the same purpose. I am hardly comparing the two from a quality standpoint though. At any rate its better than not having one as on the Ernnemann.....actually I might take a Pro?-35 over an Ernnemann.

Gord, The Pro?-35's don't give much grief till either the Star wheel breaks off, the coupling and outer bearing fails, the shutter gear fails or when it is seal and "O" ring replacement time. Then it is much grief and mess! Oddly the Pro?-35 is an FP-20 ripoff in some respects. It just wasn't done correctly. At any rate the technician is going to make bucket loads of $$ on any of these repairs.
Mark @ GTS


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Jerry Chase
Phenomenal Film Handler

Posts: 1068
From: Margate, FL, USA
Registered: Nov 2000


 - posted 08-04-2001 11:49 AM      Profile for Jerry Chase   Author's Homepage     Send New Private Message       Edit/Delete Post 
Trivia on those hoses with the plastic cap. At one theatre I managed, the projectionist dutifully checked the oil level on the DP75s without thinking about the plastic cap, always found it perfect, and was unpleasantly surprised when the intermittent seized.

The cap prevented the true level of the oil from being determined at a glance. Just like water will stay in an inverted cup, the oil remained in the tube at the original fill level. I mention this because, like Steve, this fellow thought he could determine how much oil was in the intermittent casing by looking at the tube. If caps are used, a substantial hole should be added to them to break the vacuum. It might slightly increase the amount of leakage, but that is better than replacing a dry intermittent.

Another problem with this type of "window" on the oil is that the oil in the tube always looks fresh and clean.

Most of the other comments you guys are making are above my head, and you probably already know of this type of problem, but I add it for others who might not.

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Freddie Dobbs
Expert Film Handler

Posts: 115
From: Pinson, AL, USA
Registered: Jun 2001


 - posted 08-04-2001 11:30 PM      Profile for Freddie Dobbs   Email Freddie Dobbs   Send New Private Message       Edit/Delete Post 
Thanks for your opinions guys you have been a big help..

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Gordon McLeod
Film God

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From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-05-2001 12:40 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Well I like the Pro35 and until the recent closures we had a lot of them inToronto. All in grind houses and even though they were not the easiest machine to service they very rarely gave the amount of grief newer machines have given. Also it is a rip off of the DP75 not the FP20
As for the ernamann I have installed and service many own a couple for rentals and they give no major problems.
Ye the Kinoton is a better overall machine but it too has some things that can cause problems

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 08-05-2001 01:14 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
I can proudly state that all of the Kinoton's I deal with have their caps removed once put into service or ventholes placed into their caps. Furthermore, filling through the drain hose will prevent sizable air bubbles from giving a false indication....Many a time a tech or an operator filled the intermittent only to find that the level dropped later in the day but no oil puddle....the air bubbles finally came up and the true level was had.

Gord, as to Kinoton's having features that you may not like...I think I can safely say that EVERY projector has features that someone may not like. If I really wanted to be mean, I could rattle off some on the more complicated Kinotons but on the PK-60D...you have a VERY simple projector, mechanically...very little to go wrong. Since the gate and soundhead are good, the machine performs well in the presentation department too. You want a beef with the PK-60D as it comes out of the crate? Here's one...they make you PAY if you want a gear reduced inching knob. Thus far their solution has been a "POS" aka position button to step the motor down slowly though it doesn't really work well for setting the intermittent stop for threading...their latest, hot off the press, solution is to make the knob bigger! :-(...They should just get over it and put a proper inching knob on all of the "D" projectors.

Steve

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"Old projectionists never die, they just changeover!"

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Mark Gulbrandsen
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From: Music City
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 - posted 08-06-2001 12:27 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
When I was speaking of similaraties between the Pro?-35 and Kinotons I am speaking of the coupling and nothing else. That is the only similaritiy between them. The pisser is that the coupling on the Pro?-35 fails regularly(ya gotta stay in buisness ya know) and on the Kinoton it usually lasts at least 20 years or longer. Still I do love collecting on those Pro?-35 repairs.......
Mark @ GTS


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Larry Shaw
Expert Film Handler

Posts: 238
From: Boston, MA, USA
Registered: Mar 2000


 - posted 08-06-2001 04:53 PM      Profile for Larry Shaw   Author's Homepage   Email Larry Shaw   Send New Private Message       Edit/Delete Post 
On the DP-75 the drain hose clips to a bracket with a "full" line to reveal gearbox level.

------------------
Larry Shaw, Chief Weasel (when others aren't in charge)
Boston Light & Sound, Inc.
North American Distributor of Kinoton GmbH
290 North Beacon Street
Boston, MA 02135-1990
Tel: 617-787-3131 x104 Fax: 617-787-4257
E-Mail: larry@blsi.com
Web site: http://www.blsi.com/kinoton

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