Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Setting SPL Levels (Page 3)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: Setting SPL Levels
Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 04-08-2005 12:23 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
300mV would only be best on certain processors...not as a general statement. It all depends on where a particular piece of equipment's Signal-to-noise is maximized. This is not the same place for all processors nor even all Dolby processors.

In general, the earlier you do amplification and the fewest places you do it, the better. Also, in general, running amps wide-open will not yeild the lowest noise.

 |  IP: Logged

Tom Wienholt
Master Film Handler

Posts: 371
From: Towson, MD, USA
Registered: Dec 2002


 - posted 04-08-2005 12:42 PM      Profile for Tom Wienholt   Email Tom Wienholt   Send New Private Message       Edit/Delete Post 
Is there a way to determine the optimum signal to noise output setting for a particular processor?

 |  IP: Logged

Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 04-11-2005 10:42 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
In one booth the amps are all Crowns. They originally were set up with the pots wide open and even marked with little stick on dots, not to mark levels but to insure that booth personnel could visually see that one pot was to be run at full and the other at zero because they were stereo amps that were used in mono mode -- only one pot controlled the level.

Thing is, if you went up to the stage and listened to the wide opened amp, you did hear some noise component. I pulled the inputs on the amps and still there was noise -- not alot, mind you but it sure wasn't that dead silence that you should get from the amp. In my mind, the amp should never add any noise.

I had someone in the booth turned down each amp's pot as I stayed on the stage listening. It only took a slight reduction on the pots -- maybe at most 1/5 of a turn to get them completely silent (to the ear at least). We remarked the pots and then made adjustments accordingly at the processor.

As Steve says, running amps wide open may not give you the best SN.

 |  IP: Logged

Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 04-12-2005 06:42 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Most amps have their level control "first thing" after the input. The noise level should not change when the input is unplugged and the pot is rotated from one end to the other.

When you attach an input (processor) you are then attaching the output stage of the processor to the input of the amplifier.

It is the output stage of the processor that is the noise generator. Some processors are worse than others. Of particular note is the CP-100. With this processor it is correct to run the trimpots up full and reduce the noise with the power amplifier input. In olden days, I made this modification at the Uptown in D.C. Other processors such as the CP-500/650 do not seem to have this problem.

Remember there are only 2 calibrated locations on an amplifier pot: full on and full off.

 |  IP: Logged

Ken Jacquart
Film Handler

Posts: 82
From: San Francisco, CA, USA
Registered: Mar 2000


 - posted 06-22-2005 12:18 AM      Profile for Ken Jacquart   Author's Homepage   Email Ken Jacquart   Send New Private Message       Edit/Delete Post 
Sam is correct. Most installations that i've seen have the amp gains turned maximum. Let's be real here... CP's of today and amplifiers of today are so darn quiet that I challenge anyone to hear the difference between methods. True enough... optimization to 300mV may techncially provide a better S/N, but if you can't hear the difference, should one play it safe and turn the amps to maximum? An amplifier at maximum can't be "tweaked" louder and if it is replace with an identical amplifier, can be set easily...

 |  IP: Logged

Ari Saarinen
Film Handler

Posts: 9
From: Vantaa / Finland
Registered: May 2005


 - posted 06-22-2005 01:00 AM      Profile for Ari Saarinen   Author's Homepage   Email Ari Saarinen   Send New Private Message       Edit/Delete Post 
Steve is very right about this issue. Even that todays equimpnets are very high quality, but also same time amplifier powers have gone much higher (at least here in Europe). All most every new multiplex have had tri-amp stage channels allready last 5-6 years. It's allways best way to tune system with correct signal structure.

About todays high quality products... even one three letter brand digital x-overs from California are sometimes more like noise generator than silent ones (SG-01)... but you can avoid it in most cases... if things are done correctly in signal structure to get best possible signal to noise ratio.

 |  IP: Logged

Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 06-22-2005 02:55 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Dunno which manufacturer you mean, but we just installed 14 systems with digital crossovers made in California, and the systems were very quiet with the amps turned all the way up. I have revised my earlier practice of setting the amps at approx. 2/3 and the processor channel output levels as close to bus level as possible. Man, you wouldn't believe how much booth personnel tinker with equipment here, and how many creative ways they find to break and blow stuff up.

 |  IP: Logged

Ari Saarinen
Film Handler

Posts: 9
From: Vantaa / Finland
Registered: May 2005


 - posted 06-22-2005 03:07 AM      Profile for Ari Saarinen   Author's Homepage   Email Ari Saarinen   Send New Private Message       Edit/Delete Post 
I did mean older THX x-over version SG-01...

 |  IP: Logged

Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 06-22-2005 06:37 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
The QSC amps have a 6-dB hit when you use the "data ports". As such, when you turn your amps wide open, you actually are still 6dB shy of wide open as compared to using the XLR or phoenix connectors. Since I have seen the DCM clip out many times before the amp...I would always turn the amps up full when working with that unit.

As for calibrated pots...nope they are not calibrated at both ends, just the one (zero ohms)...at the other end they will vary a bit but hopefully within the tolerence set by the manufacturer of the pot.

I set the gain structure for the lowest noise, unless I have exposed pots (not much anymore since the DCA amps by QSC have cover plates).

The input attenuator should be thought of as a "sensitivity" control rather than a "gain" or "attenuator"...it should be set to yield the best S/N. I can certainly understand the desire to set to max since it is easy and repeatable and only gives the tinkerer the ability to lower levels.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.