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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Westrex R9 mag penthouse (Page 2)

 
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Author Topic: Westrex R9 mag penthouse
Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 09-18-2001 08:28 PM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Josh,

Sorry, it won't work. You must use a DTS reader to read DTS timecode.

Karen at DTS

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 09-18-2001 08:48 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
Karen...

I think Josh wants to take the electronics and optics from the DTS reader and retrofit them into the mag head, which with the proper alignment procedures is quite possible.

Aaron

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 09-18-2001 08:56 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Aaron, I think so, too.

Josh, let's re-invent the wheel.

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Jon Bartow
Master Film Handler

Posts: 287
From: Massachusetts
Registered: Nov 1999


 - posted 09-19-2001 07:23 AM      Profile for Jon Bartow   Email Jon Bartow   Send New Private Message       Edit/Delete Post 
Re-inventing the wheel is fine, but if you plan on using this thing in a comercial theater you could get in trouble with US Patent Law.
Just be careful.

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 09-19-2001 12:20 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Copying is one thing and then re-selling it under a different name will definately get someone in trouble.

Re-designing is another. Just like Simplex and Century. Just like Potts Platters and Christie Platters. Just like QSC and BGW. Just like Dolby Labs and Ultra-stereo.

Thanks for the warning, though. But for what we do as a project, I don't think there is any worry. Things are done like this to expand our knowledge base, and nothing more at this time.

Paul



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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 09-19-2001 10:10 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Now, that kid from North Dakota and I are going to re-invent the wheel. It may take some time, but we are going to do it.


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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 09-24-2001 12:39 PM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Josh,

It is best to use the DTS reader and not retrofit the projector.

The optics is the hardest thing to correctly calibrate and takes a lto of time to get right. You must use the circuitry in the reader to "condition" the timecode (calibrating voltage, amplitude, and filtering out noise).

The other part of the equation is the offset. DTS must have a minimum of 16 frames (ahead of the picture aperture) in order to correctly playback DTS digital soundtrack. Otherwise, you compromise the seamless editing feature of the DTS system.

Karen at DTS

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