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Author Topic: "Film done right"... ???
John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-02-2001 03:48 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Antonio said: "But, forgive the question, who are you in your booth?"

For many of us who care enough to "Do Film Right", it's because we LOVE the movies. After all, we work in SHOW BUSINESS!

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 11-02-2001 04:12 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
Personally, it is a tone of fun to be able to combine my hobbies, interests and college education into being a projectionist and be able to earn a living! Personally, I do think that most of the films being made today are crap, but I do love being around the equipment and being a showman--putting on an excellent presentation!

I know that we have talked about this before--but the majority of the movie going audience are totally ignorant of what a booth looks like or what goes on behind the scenes. This is where education comes in. It is always fun to see the expression on peoples faces and their reactions at seeing a booth for the first time! Yes, I have conducted booth tours for Boy Scout Troops and the like!

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Zac Manning
Film Handler

Posts: 5
From: Des Plaines, IL, USA
Registered: Oct 2001


 - posted 11-03-2001 09:20 AM      Profile for Zac Manning   Email Zac Manning   Send New Private Message       Edit/Delete Post 
For the most part I work on doing installs and don't get the chance to project as much as most of you do; other projectionists operate the equipment that I install. So you leave having given them the best lenses, having used TEF and SMART to tweak the hell out of the sound system, automate the masking for every aspect ratio, cut the 8 (we only install pairs of projectors for archival playback)apertures so that they are all razor sharp and fit perfectly on the screen. And you hand it over to the projectionist....

Anyway, my point is that I think we usually have everything locked down technically for a good presentation. But unfortunately a lot of projectionists aren't as committed as you guys are, and most of the projectionists are running only two machines and doing changeovers (albeit a bit more demanding in terms of the operators constant presence)not running a multiplex and making sure that 10 projectors stay in frame and in focus. It's just refreshing to know there are guys out there who really care, who want to have a great presentation and care.

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Antonio Marcheselli
Phenomenal Film Handler

Posts: 1260
From: Florence, Italy
Registered: Mar 2000


 - posted 11-03-2001 03:22 PM      Profile for Antonio Marcheselli   Author's Homepage   Email Antonio Marcheselli   Send New Private Message       Edit/Delete Post 
John,

I realized that my questione "who are you in your booth" was not clear.
Neil said that he try everything he can to have better presentation bu that the day after all projectionist acts as nothing was said.
I wonder if Neil is a Manager or just a projectionist.

Will and Zac,
I totally agree with you. I know that there are many people that are soing their best to achieve a perfect presentation.

However I'm afraid that the best people in the best theater can do NOTHING with a bad manager.

Let's take my theater for example (and let's ignore for a monet that it will close within 2 years making useless every technical update): I make all efforts providing the best presentation possibile. Just few days ago I reviewed the movie because there were a visible lens change. I added a piece of leader with 7 (seven) frames. I went to another theater and I saw a lens change starting exactly at the start of the movie: 7 seconds of black with just the music in the background.

However my screen is in TERRIBLE conditions, it should be changed because is very dirt with visible "patterns" of dirty, the sound system should be re-equalized, and many others thing.
In this situation how can I have a good presentation?

Ok, my theater is "forget" but I'm afraid that I could find a similar situation in a new Multiplex where a dirty screen is not acceptable.

This is my fear

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Neil Hunter
Film Handler

Posts: 74
From: Salisbury, NC, USA
Registered: Oct 2001


 - posted 11-04-2001 04:33 PM      Profile for Neil Hunter   Email Neil Hunter   Send New Private Message       Edit/Delete Post 
Antonio, I am a projectionist at my theater. There are usually two of use on each shift, so there are about six projectionists total. Sorry for the confusion.

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