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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Monsters Inc. Out-takes (Page 2)

 
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Author Topic: Monsters Inc. Out-takes
Jonas Heijkenskjold
Film Handler

Posts: 14
From: Stockholm, Sweden
Registered: Dec 2001


 - posted 01-25-2002 05:57 PM      Profile for Jonas Heijkenskjold   Email Jonas Heijkenskjold   Send New Private Message       Edit/Delete Post 
Re-cored? See, even DLP will use cores in the future......

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 01-25-2002 06:57 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
What are you using as the DLP playback source? Is it a Qubit, a D-5 tape machine, or something else?

The only DLP setup that I'm reasonably familiar with is connected to the same automation as the film projector. The operator just sets the timer (same as for film) and everything runs automatically (including lights, etc.), just like film but without needing to be re-threaded. I thought that the idea of using the film automation was quite clever...

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Ben Stephenson
Film Handler

Posts: 29
From: Manchester, England
Registered: Jan 2001


 - posted 01-25-2002 07:16 PM      Profile for Ben Stephenson     Send New Private Message       Edit/Delete Post 
The sound track is installed with the film and runs from the hard drive, it is a 6 chanle sorce and I could not tell the diffrence (compered to SRD)
Our DLP is linked in to the automation so when the trilers and adverts have run through on 35mm the projector shuts down and the DLP clicks in gust like a change over and then you can tell the diffrence in quality.

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