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Author Topic: Keystoning
David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 01-20-2002 12:58 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Doesn't it seem likely though that theatre design won't change much when digital is rolled out widely? The projector is still relatively large and requires lots of cooling for the lamphouse. And won't there be new rack-mounted computer equipment involved? Some kind of server and fault-tolerant RAID hard-drive system for each screen for storing the massive amounts of data. Seems like the booth will need a LAN of some kind too. Would seem impractical to move the projector to a location different from all the other associated equipment (sound rack, automation, etc).

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- dave
Crab juice, or Mountain Dew?


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John Walsh
Film God

Posts: 2490
From: Connecticut, USA, Earth, Milky Way
Registered: Oct 1999


 - posted 01-20-2002 06:50 PM      Profile for John Walsh   Email John Walsh   Send New Private Message       Edit/Delete Post 
Actually, I thought the opposite.. the projector can be mounted on the wall, and the video wire for it run to a closet on the main floor where the equipment rack would be. No need to have a projection room at all. So the overall height of the building is lower, you don't have a projection room to heat or cool (although, some places I've worked didn't provide A/C or heat anyway!) A big savings.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 01-21-2002 07:07 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Today's digital cinema projector designs still use a modified conventional lamphouse, and a large xenon lamp that needs venting. Not likely to be mounted "on the wall". Ultimately, it is likely that the server would be in its' own conditioned room, powered by a UPS, and networked to each projector:
http://www.kodak.com/US/en/motion/digital/system.shtml

Digital cinema projectors are likely to incorporate electronic keystone correction that pre-distorts the geometry of the image to correct moderate keystone.

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John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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