Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » DTS Stereo (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: DTS Stereo
Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 02-14-2002 06:21 PM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Hello Ray,

I'd like to say "yes", that every print it correctly labeled but in the real world, I've seen prints mismarked. If the studio correctly lables the print and the optical track is in DTS SR-Type, it should be labeled that way.

Karen at DTS

 |  IP: Logged

Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 02-14-2002 11:36 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Gordon McLeod asked:
>Is it not more of a question of what is on the mag printmaster
>you recieve to make the optical neg from rather than an encoder
>question to determin the final release?

In absence of an authoritative answer I would suggest that they don't *receive* a printmaster. If it's a DTS Stereo mix then that would mean that their equipment was used to *create* the printmaster. Specifically, their matrix to create 2 channels from 4 and of course 2:4 channel decoding so the mix can be monitored through it. That and some NR cards (presumably Dolby's if SR) and other goodies like metering to avoid clash etc.

I would also hazard a guess that they probably don't make the neg although I could very well be wrong since one of the attributes of DTS Stereo was supposed to be slightly greater maximum modulation of the track. That aside, the mag printmaster would be the *end* of their involvement, not the beginning.

 |  IP: Logged

Ray Derrick
Master Film Handler

Posts: 310
From: Sydney, Australia
Registered: Sep 2001


 - posted 02-15-2002 06:44 AM      Profile for Ray Derrick   Email Ray Derrick   Send New Private Message       Edit/Delete Post 
Thanks Karen

Of course occasional mislabelling is not a problem confined to DTS. I have come across plenty of Dolby Stereo films marked incorrectly, even in broadcast televison where the station would receive a 1" videotape master of a Dolby encoded movie which was marked incorrectly. If no one who knew the difference was around to check, the movie would be played sounding just awful!

------------------
Ray Derrick
President/Chief Engineer
Panalogic Corporation Sydney, Australia
Phone: 61 (0)2 9894 6655 Fax: 61 (0)2 9894 6935


 |  IP: Logged

Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 02-15-2002 09:12 AM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
For more information on print masters see "Chapter 11: From Print Masters to Exhibition" in Sound for Film and Television by Tomlinson Holman, ISBN 0-240-80291-8.

 |  IP: Logged

Brad Haven
Master Film Handler

Posts: 300
From: fremantle, West Australia
Registered: Aug 2001


 - posted 02-24-2002 11:38 AM      Profile for Brad Haven   Email Brad Haven   Send New Private Message       Edit/Delete Post 
i know the topics a bit old now, but i screened "ring 2" (japanese horror) today and it was dts stereo, i played it as dolby sr and it sounded great.
the last dts stereo film before this that i've seen was also "the day trippers"

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.