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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » The Century (Projectors) Family Reunion (Page 2)

 
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Author Topic: The Century (Projectors) Family Reunion
Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 08-20-2002 09:53 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
...or...

You can turn the inching knob. There should be a silver knob on the front of the picture head. It should be just behind the lens mount. This knob is actually attached to the shutter shaft.

By the way...The name plate on that Westar in my photo says that the model is SA. I will post a more complete pic of it soon.

Now I have a question: In the interest of avoiding confusion, what should I call my projectors? If they are really Century's should I continue calling them Westars? After all, that is what's printed on the ID plate. I'm trying to avoid using the term "Century" as a generic. Xerox, Aspirin and Band-Aid hate this practice of using a brand-name as a common noun. But I'm also trying to be correct. If -- when all is said and done -- it is revealed to be genuine Century equipment then that's what it should be called, don't you think?

~Manny (don't ask, don't tell.)


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Dick Prather
Master Film Handler

Posts: 259
From: Portland, OR, USA
Registered: Feb 2002


 - posted 08-21-2002 01:04 AM      Profile for Dick Prather   Email Dick Prather   Send New Private Message       Edit/Delete Post 
Manny,
Is there a serial number on the plate? There should also be the same number on the frame. Century's frame number should be on top of the machine. I can't be sure on the number position of the Westar. If there is no serial number on the attached plate or they don't match it could be a rebuilt Century.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-21-2002 09:45 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Depending on the soundhead turning the shutter shaft is not a good idea to inch the machine most gearboxed soundheads don't like being driven from the projector

Also Westar did not to my knowledge very make a model SA most used the 2000 serries model #'s

In that picture of the DBW projector what make of lamphouse is that behind it


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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 08-21-2002 08:23 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I think these are R-3 soundheads.

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William Hooper
Phenomenal Film Handler

Posts: 1879
From: Mobile, AL USA
Registered: Jun 99


 - posted 08-22-2002 02:28 AM      Profile for William Hooper   Author's Homepage   Email William Hooper   Send New Private Message       Edit/Delete Post 
quote:
In that picture of the DBW projector what make of lamphouse is that behind it

Christie Xenolite Model BSG65 !

Should have made it a trivia question to drive everybody crazy.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-22-2002 09:12 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
William how much light does that porduce never had much luck with them
I felt that was it or it was the blue xebex hibeam3

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William Hooper
Phenomenal Film Handler

Posts: 1879
From: Mobile, AL USA
Registered: Jun 99


 - posted 08-23-2002 12:43 AM      Profile for William Hooper   Author's Homepage   Email William Hooper   Send New Private Message       Edit/Delete Post 
quote:
how much light

Plenty. We never measured it, & when we saw it we knew we didn't need to. With an ORC XM-4200 bulb it was bright & sharp with little fall off at the corners on flat 23' high & scope 40' wide. One of the best pictures I'd seen. You could sometimes see the arc dance, though, but that was only if there was little picture but clouds, etc.
Great light, great pictures, & I'm way too picky.

The lamphouse was put together with parts from two that were provided, we had no alignment kit & my friend Ed did the initial alignment via his excellent eyeball alone. With an Align-O-Tron we probably would have been showing movies in the park behind the theater. It seems in this lamphouse there were some threads stripped in an adjustment base which made alignment a little annoying & time consuming. Those adjustment pieces down there were soft aluminum gears & worms & one piece of nylon, as I recall. They were damaged in both of the units we had to work from.

Creeped me out due to flaky damaged bulb adjustment, never failed, but sometimes would bzzt twice on strike just to mess with me. Old equipment tends to accumulate individualized collections of characteristics to justify calling it a personality.


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