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Topic: 70mm Opening in York (UK)
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Darren Briggs
Master Film Handler

Posts: 371
From: York, UK
Registered: Dec 2001
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posted 09-26-2002 02:00 PM
Dick , It was late when writting email, so my apologies, Yes Hopefully a NOVEMBER screening!By the way, ill be bringing the print of Hello Dolly across to you next week as im picking it up from our Cambridge Picture house in the next few days, so ill bring it over when i have it. Saving us securicor prices by picking 'Lawrence' and 'Dolly' up myself. Multi talented you see us Yorkshire folk, projectionist, engineer, manager and delivery van driver!! Ill try catch you next week when i bring the print across, maybe Friday morning. Cya Darren
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 09-28-2002 12:14 PM
Paul asked: "Couldn't you physically take a DTS 70mm print, though, and still mag stripe it? I realize it would cover up the Time Code and make it unplayable, but the mag tracks should still play fine."Yes you could. If you KNEW ahead of time that the print would have mag sound, you might not print the DTS time code, because AFAIK, DTS requires a second pass through the printer for 70mm. ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Research Labs, Building 69, Room 7525A Rochester, New York, 14650-1922 USA Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243 e-mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000
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posted 09-30-2002 01:53 PM
Paul,I suppose you could have DTS timecode and have some mag tracks. The problem is that the timecode covers up the space where 3 of the mag tracks reside. The timecode (on DTS 70mm prints) is placed between the perfs and the film's edge. This allows the picture to accomidate the entire space between perfs. The only space left is on the other side of the film and you could have only three tracks. That pretty much defeats the 6-track sound and I doubt that any film maker would choose to compromise their soundtrack in that way. All it takes to playback a DTS 70mm print is a DTS player and a DTS 70mm reader head. The timecode on these prints is huge and many theaters run fine with no analog backup. The only challenge to playing a 70mm film is that some being released are quite long and it can be tough getting the whole print to run reliably on a platter. Karen at DTS khultgren@dtsonline.com
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