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Author Topic: Digital Offsets
Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 11-05-2002 11:14 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
CDS is not in sync...anymore
Maybe the manual the manual available here contains the info you want? I am too lazy to check myself.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-05-2002 12:36 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
The Kodak Cinema Digital Sound (CDS)picture/sound displacement was 0 frames:
here CDS Specifications

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 11-06-2002 11:51 AM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Mark, please look at my earlier posting. It describes how to set the offset (sync) on the DTS players.

Let me know if you have any questions.

Karen at DTS
khultgren@dtsonline.com

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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 11-06-2002 11:53 AM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
If you mean where does the timecode start, it is placed 4 perfs after the audio sync pop.

Karen at DTS
khultgren@dstonline.com

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Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 11-06-2002 12:01 PM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
quote:
it is placed 4 perfs after the audio sync pop

OK, so if I follow you correctly, that means if analog audio is 19.5 frames ahead of picture (I think that's right) and DTS is 4 perfs AFTER that, then the DTS timecode is ofset from the picture by 18.5 frames in advance of the picture?

Mark

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Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 11-06-2002 12:23 PM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
The analog sound track is 21 frames ahead of picture.

DTS is in sync with the picture.

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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 11-07-2002 11:42 AM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
Yes, DTS is in sync with the picture. DTS timecode starts 4 perfs after the sync pop. The analog track starts after the sync pop as well.

Karen at DTS
khultgren@dtsonline.com

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Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 11-08-2002 08:14 AM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
Karen,

I'm sorry... Is it in sync with the picture on the film, or 4 perfs (1 frame) after the picture? I'm writing up technical documentation on sound formats, and I want it to be correct.

And what about 70mm DTS?

Thanks,
Mark

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Karen Hultgren
Master Film Handler

Posts: 492
From: Agoura Hills, CA, USA
Registered: Mar 2000


 - posted 11-11-2002 01:38 PM      Profile for Karen Hultgren   Author's Homepage   Email Karen Hultgren   Send New Private Message       Edit/Delete Post 
The DTS timecode is in sync with the picture.

Karen at DTS
khultgren@dtsonline.com

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Ken McFall
Jedi Master Film Handler

Posts: 615
From: Haringey, London.
Registered: Apr 2001


 - posted 11-11-2002 03:22 PM      Profile for Ken McFall   Email Ken McFall   Send New Private Message       Edit/Delete Post 
Can anyone confirm that analogue is 20 frames in advance of the picture and not 21 as suggested. Standard leaders have the number and star relationship 20 frames. I've had this discussion before and was able to confirm it was 20 frames, its in one of the BKSTS manuals but I've not got one in front of me right now.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-11-2002 03:31 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
SMPTE 40-1997 specifies:
_____________________________________________________________________
3 Longitudinal picture-audio displacement

3.1 The audio record on the film shall be displaced
longitudinally from the center of the corresponding
picture by a distance of 21 frames ±
1/2 frame in the direction of film travel during
normal projection.

3.2 Although picture and audio are correctly synchronized
with a displacement of 21 frames ± 1/2
frame on the film, normal playback of motion
pictures occurs in theaters where the relatively
slow speed of sound means that the audio
should precede the picture at the screen if subjectively
correct synchronism is to be achieved
in the middle of the theater (see annex A).

Annex A (informative)
Explanatory notes
In the average theater, it is necessary to emit the sound
pulses before the corresponding picture frame is positioned
in the aperture. Since sound travels approximately 1100 ft
per second or about 50 ft per frame during the normal
projection rate of 24 frames per second, the projectionist
can place the sound and picture in synchronization in the
theater where he wishes by varying the length of the threading
path in the projector.

For example, if the positioning of frame 21 at the scanning
point brings the corresponding picture and sound to the
screen and the speaker at the same instant, then positioning
frame 20 at the scanning point would give synchronism at
about 50 ft from the screen.
_____________________________________________________________________

The SMPTE sells copies of standards, including a CD-ROM containing .pdf files of all the motion picture standards. Highly recommended for any theatre service engineer:
here SMPTE Standards


------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: here


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Ken McFall
Jedi Master Film Handler

Posts: 615
From: Haringey, London.
Registered: Apr 2001


 - posted 11-11-2002 03:44 PM      Profile for Ken McFall   Email Ken McFall   Send New Private Message       Edit/Delete Post 
Hi John,

just found a reference to picture/sound sync in the 1979 BKSTS manual, can't find it in the last issue, and it clearly states 20 frames? So whats going on here. I can't imagin the BKSTS is wrong and I don't doubt your information.

Also why are standard leaders setup with sync marks 20 frames apart.

Has there been some change in recent years?

I seem to recall this question came about while discussing the correct lacing loops on the FP20.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-11-2002 04:12 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
I think some of the leaders have the marks at 20 frames offset, assuming an average seating distance of 50 feet (1/24 second for sound to travel) from the screen. But on the print itself, the picture the gunshot should be 21 frames from the "bang" on the track.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 11-11-2002 06:45 PM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
For additional information about the 21 frame optical sound offset read page 10 of H-50-3, Film Notes for the Reel People "Projection Practices and Techniques."

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-11-2002 08:01 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Here's a link to issue H-50-3 of Kodak's Film Notes for Reel People: here

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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