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This topic comprises 3 pages: 1 2 3
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Author
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Topic: When did Strong switch from blue to red?
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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002
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posted 11-16-2002 09:47 PM
Doesn't it? I believe there are angles from which light from the arc can be viewed through the shutter window...But since Frank was talking about augmenting welding glass with a Rosco gel, the UV issues shouldn't apply to the gel. I was merely referring to heat issues. --jhawk
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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000
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posted 11-17-2002 10:54 AM
Brad, you must have a few queries in mind that people asked. Perhaps you can point Pat towards them just to speed things along.I'll reitterate one of my own. Does (did) Bob Potts get compensated as the designer of the Strong platter when Strong started buying units of his design straight from the fabricator contracted to build them and then more recently purchased the fabricator and made it a subsidiary thus causing him to have to buy his own design from a competitor? Hehehe no easy questions about colored glass from me!
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Pat Moore
Master Film Handler

Posts: 363
Registered: Mar 2000
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posted 11-17-2002 11:47 AM
Hi Steve;Design, as far as I know, always made the platter for Potts. The licensing arrangement on the original Balco occurred over 20 years ago and I really don't know the details of that; before my time with the company. If there's anything going on now, it's really between the parties, isn't it? I don't know enough to speak from Ballantyne's side, and I certainly can't speak for Bob. Potts is still in business, his buying arrangement predates our acquisition of Design and still continues, and that's about all I know. Now that wasn't so hard... Pat
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This topic comprises 3 pages: 1 2 3
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