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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » WB "pre-show" black band... why? (Page 2)

 
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Author Topic: WB "pre-show" black band... why?
Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 01-27-2003 12:48 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
I like the extra black; if some theatre wants less space before the feature starts, then there is nothing preventing their employees from removing some of the black film.

I wish that all distributors would do this.

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Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 01-27-2003 12:50 PM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
It would be cool if Fox took some tips from WB and inserted that much black (with framelines) so people don't just cut at the first frame of the logo, thereby cutting off the first part of the drumroll. Happens way too often.

=TMP=

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-27-2003 01:49 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Even more cool than that would be if they would fire the goon at Deluxe who keeps OVERLAPPING the sound from the studio fanfare over the ends of their attached trailers.

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Daryl C. W. O'Shea
Film God

Posts: 3977
From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 01-27-2003 01:53 PM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
It's funny, I never have that problem with studios that include a bunch of black film at the start of their features.

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Ky Boyd
Hey I'm #23

Posts: 314
From: Santa Rosa, CA, USA
Registered: Jun 99


 - posted 01-27-2003 03:46 PM      Profile for Ky Boyd   Author's Homepage     Send New Private Message       Edit/Delete Post 
While we are making a list of things we wish the labs and studios would do with black bands and green bands, could everyone get together and agree on one color of green for the greenbands. It seems that almost every studio has got their own variation of the color. Pick a standard PMS color and stick to it. We've got bright greens, yellowish greens, deep greens. And if its not too much to ask, could all the green bands please be printed in razor sharp type and in focus. No fuzzy type or just slightly out of focus green bands please. Thanks for letting me rant.

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Ray Brown
Expert Film Handler

Posts: 111
From: Dayton, WA, USA
Registered: Sep 2002


 - posted 01-27-2003 07:38 PM      Profile for Ray Brown   Author's Homepage   Email Ray Brown   Send New Private Message       Edit/Delete Post 
The extra leader is nice when the movie is scope and the trailers are flat. Our Simplex turrent takes 6 seconds to rotate.

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Charles Everett
Phenomenal Film Handler

Posts: 1470
From: New Jersey
Registered: May 2001


 - posted 01-28-2003 04:11 PM      Profile for Charles Everett   Email Charles Everett   Send New Private Message       Edit/Delete Post 
I second Brad and give props to WB.

I didn't notice the extra-long black leader on WB titles until I saw Space Cowboys [Smile] at the UA Union Square in NYC. Usually I figure 2-3 seconds between the end of the policy and the start of the feature. "Odyssey/Blade Runner" ends and the screen stays black for what seems like forever. I thought, Oh no, the DTS went out! Then I see the WB shield come up.

OTOH some theaters leave all that extra-long black with the attached trailer. The AMC Hamilton did that on one of its prints of Harry Potter 2. Because of that I heard a "false start" for the feature. It didn't help that the attached trailer (Kangaroo Jack) ran first instead of last.

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