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This topic comprises 3 pages: 1 2 3
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Author
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Topic: TA-10 Automation: Phantom Cue
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Tom Fermanian
Expert Film Handler

Posts: 101
From: Sainte Adele, Quebec, Canada
Registered: Dec 2001
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posted 02-21-2003 03:07 PM
Hi, are using this automation & fm35s, here is a problem that occured, it may or may not apply to your situation, we where getting "stray" cues, after days of checking & double checking,we discovered that a certain FM 35 was particularly sensitive to metal,So, when the operator was assembling his prints, he was sometimes perforating the cue tape in order to free the sproket hole, (we have since bought a cue punch machine) Well, a tiny bit sprocket hole size piece of foil tape occasionaly got stuck on one of the splicer hole plungers, that piece eventualy got caught under the next splice, this was enough to trigger the fm35 & automation!!!
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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 02-23-2003 11:01 AM
Changing the cues would require soldering. The TA-10's cues are changed by removing/replacing jumpers on the MOBO. (Actually diodes, I believe.)
I have the cues set the way they are for a reason: O.B. and I.B. cues turn the lights up and down.
- OUTboard = Lights OUT.
- INboard = Lights IN. (on)
- Center cue triggers the End of Show sequence. (Interval)
Never does a cue that has the potential of appearing on the screen go through the projector until the very end when it doesn't matter anymore. One small "blip" on the screen, a fraction of a second before the dowser shuts will be hard to notice. Furthermore, if you make the cue small and stick in on the last frame of black film before the "blue band" it would take a sharp-eyed person, indeed, to notice it! There are four wires that control the lights:
- RED wire = Lights OUT.
- GREEN wire = Lights ON. (100%)
- WHITE wire = Lights DIM (Manual fader setting.)
- BLACK wire = COMMON.
One end is inside the automation chassis, coming from the relay outputs and the other is inside the junction box on the wall where the light controller lives. IF this gets to be too much trouble, I can simply disconnect one of the wires and disable the light function. All I have to do is go inside the automation and unscrew the wire from one terminal. If I undo the RED wire, I can disable the Lights OUT function. When the trailers are over all you have to do is press the button on the wall controller. If I undo the BLACK wire, I can diable the light control functions all together and simply control the lights manually.
This strategy was all thought out in advance even before I ran the wires from the projector to the wall box. I had to make it so that, in the case of a malfunction, the system could be quickly diabled and restored to its original configuration in a matter of minutes.
This facility was originally a stage theater. The projector was installed as an after thought. In order to convince the powers-that-be to let me hook up all this automation I had to promise to hook things up in such a way that it wouldn't "interfere" with the other performances in the venue. (Yes, they are a bunch of Technophobes! ) It's a good thing I did things this way. This is SUCH a small problem but some people have a way of making mountains out of molehills, sometimes!
Thanks to all your help, I think I know what to look for. It's just a matter of being there in the booth when it happens so that I can verify whether it's the cue detector or the automation's circuitry. I have sat there for over an hour and it hasn't happend while I was watching. (Literally the "watched pot" effect, doncha' know! ) As I get the time to investigate the problem, I will tell you all what I found out and what the solution turns out to be.
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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 02-27-2003 10:23 AM
Although this is a single machine set-up, the automation does have the interlock capability. Don't know WHY it would ever get used but it's there.
Here's the puzzler: Our stage lighting is controlled by a solid state dimmer system. (Who doesn't, nowadays?) Strand Model CD-80sv, to be exact. There is a processor module in the base of the dimmer rack that looks similar to a SDDS, processor module. Essentially a circuit board about a foot square with modular connectors on the back and a display/control panel on the front.
The other day, half the lights on the stage started flashing. The system has two dimmer racks, each with 96 dimmers in each. (There are 192 circuits, total. Dimmer-per-circuit. 2.4K watts max. per dimmer.) Circuits 97 through 192 are flashing.
I ran down to the "crypt" in the basement where the dimmer racks are and I find the right hand rack flashing into "panic mode". (When the electronic processor fails all the lights are supposed to come on. Somebody's idea of a safety measure, I guess.) The processor in that rack was cycling on and off, thus the flashing. After testing and troubleshooting we determined that the module had bit the dust and needed repair/replacement.
That's all done, now. The lights are working as normal. Good thing! We have a show tonight!
BUT...
Don't you think it's funny that the processor for the lights should die right about the same time the projector starts to act up?
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