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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Splices in speaker wire runs (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Splices in speaker wire runs
Daryl C. W. O'Shea
Film God

Posts: 3977
From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 03-25-2003 06:30 PM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
OK, usually it's more like "where the hell'd I put my knife... damn, no time, I'll just use my teeth".

Then it sometimes follows, "who the *&%# turned that amp / distribution breaker on! You *&%#@$! sonofa..."

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 03-25-2003 07:33 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
I am aware of a place that drives its Eastman 25 at silent speeds by way of an oscillator and an audio amp. So yeah they can put out some serious output.

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 03-25-2003 09:55 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
I second the Speakon! We use them on our speakers. They're great!

Virtually indestructible. Impossible to hook up wrong. (Assuming the connectors were wired correctly upon installation.) Can not short upon connection/disconnection. Positive locking upon insertion.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-26-2003 12:12 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Actually, the 3-pin XLR is defined as having a 15amp current carrying capacity. That is one of its characteristics.

Steve

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Rob van Ede
Film Handler

Posts: 25
From: Zeist, The Netherlands
Registered: Sep 2002


 - posted 03-26-2003 02:48 AM      Profile for Rob van Ede   Author's Homepage   Email Rob van Ede   Send New Private Message       Edit/Delete Post 
I've seen and used pro loudspeaker cabinets with XLR (speakerlevel) inputs. Never seen a burned connector though. One thing i have seen is someone using a microphone cable between amp and speaker. Halfway the evening all the insulation had melted. That can't happen with Speakon.

I too see some problems on terminating decent speaker cable in an XLR connector.

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 03-26-2003 01:17 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
I would never use an XLR connector in a Speaker run. As Gordon said, AWG 10 or 12 wire just doesn't fit without birdcaging the wires.

And, of course, there are many quality levels from puke to top-of-the-line XLR connectors. I think Switchcraft made the best, and Radio Trash made the worst.

I have used wire nuts, and have hot had any problem with them. I have also used barrier strips that Aaron posted, and have not had any problem with those, either.

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 03-26-2003 06:04 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
I agree Paul. The "primo" Switchcraft and others are rated at 15 amps for the 3-pin. The more pins there are, the less the rating. The cheapos are lucky to keep that rating with a few uses. The XLR series all have a basic flaw as to their "contact" method and the cheapos use inferior spring metal material to save costs and will wear out much quicker than the "high-end" ones.

All that aside, the BIGGEST (IF you're lucky) conductor you can get into a 3-pin is #12 solid. Much smaller for other pin configurations.

Another BIG drawback is that the maximum cable you can squeeze into them is about 0.350 inches in diameter. That's OK if you use lamp cord or small-guage SO cable.

All this might be OK for the low-power home use or road use, but the reputable professionals all will use Speakons for their road stuff.

Stick to using XLR's for signal levels….gold contacts of course.

>>> Phil

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-26-2003 08:23 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Again...electrically, the XLR connector is a 15-amp connector in a 3-pin which means...14awg or smaller. No big mystery there. The 4-pin and larger configuration are only rated to 10amps (16awg and smaller).

As to the max cable diameter...there are various boots to them, depending on manufacturer.

I'm not claiming that the XLR is the speaker connector of choice but that there is nothing completely wrong with it.

What I can't stand is those that use 1/4" phone plugs as speaker connectors (still don't in pro-audio...by the speaker manufacturers, no less). Unless you use the 1/4" plugs that have the wide insullation area, you will short out the amp when inserting or removing.

Speakons are good though even Neutrik should be shot for their 13awg max wire spec (though you can fit 12/4 SJ in there).

There needs to be a fat guage speaker connector invented and adopted.

Steve

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Phil Hill
I love my cootie bug

Posts: 7595
From: Hollywood, CA USA
Registered: Mar 2000


 - posted 03-26-2003 08:28 PM      Profile for Phil Hill   Email Phil Hill       Edit/Delete Post 
People use larger than 14 guage wire for longer runs even though the circuit may only be capable of supplying 15amps. Also, I've seen many 4-pins used for bi-amp'd stuff.

The 5-7 pin are rated less than 10 amps. (If I remember correctly, I think 7.5 amps)

The largest boot I've seen would only accept a cable diameter of 0.350 inches... There may be others, but I'm not aware of them.

It's not a good idea period! There are better solutions.

I agree about those lame 1/4-inch phone plugs... YUK!

>>> Phil

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 03-26-2003 10:23 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I couldn't find a UL listing for any xlr's for anything but class B and CSA doesn't list them for any current application

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William Bunch
Film Handler

Posts: 87
From: Misawa, Japan
Registered: Nov 2001


 - posted 03-27-2003 01:49 AM      Profile for William Bunch   Author's Homepage   Email William Bunch   Send New Private Message       Edit/Delete Post 
Here's a question about speaker runs/connections:

If you have an amp with both Speakon and barrier strip connections, which would you use?

This is assuming a permanent system within a rack cabinet not subject to moving or tampering.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 03-27-2003 06:38 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Speakon versus barrier strip...

If you want the end user to be able to quickly switch out the amp...speakon...if you want the more reliable permanent and easier to install connection, barrier strip (more reliable due to fewer connections).

Steve

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 03-27-2003 10:32 AM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
Just from a cost standpoint, SpeakOn connectors cost as much as $5 apeice. (Depending on the type and number of connections inside.)
I imagine you can get barrier strips for less than $1 apeice.

The only reason you would want to spend that kind of extra money is if you wanted to be able to move the speakers. Otherwise I would buy barrier strips. It would be money wasted.

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