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This topic comprises 3 pages: 1 2 3
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Author
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Topic: Modifying Aperature plates
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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002
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posted 03-29-2003 02:11 PM
As for the dead zone below Don's scope image.
At the AMC Old Pasadena 8 Theatres we had two auditoria like yours. The screens were constant-width and the scope image was masked off with a "flipperboard" that swung up to conceal the unused screen area below the projected image.
This meant that we always had to make an effort to keep those presentations as "scope only" otherwise we would cause complaints when the flat trailers "fell off the bottom of the screen."
This is bad theatre design, in my opinion...but, hey...life hands you a lemon, make lemonade!
Installing a flipperboard masking would entail measuring the area to be covered and then fashioning a matching base out of something like plywood, painting it black and then covering it with duvetine (sp) fabric. You would then also need a few sturdy hinges and two hook-and-eye sets in order to latch the contraption in place.
Sounds to me like your idea to recut plates and/or realign your lenses will still leave you with dead space...above and below the image. This will give your presentations a "letterbox" look. How very "video" of you!
Plain English Warning: If you don't know what you're doing, you could end up making things worse by fiddling. My experience with the Kelmar turrets is that it is fiddly stuff at best. I was totally freaked out by how delicate the operation is. It can be a high-wire act if you're trying to do this without cancelling shows because then you have the pressure of the deadline. How experienced are you? Are you confident that you can do this without rendering the system incapable of showing scope movies for a day or two, maybe more, while you find your feet?
For all I know, your turrets may be easier to deal with (than my Kelmars) but that still leaves the issue of your aperture plates -- I'm not afraid to publicly state that I screwed up my first few attempts at plate cutting. Again, it all comes down to the extent of one's experience and one's confidence in his/her ability to meet a showtime deadline (and still get a good result).
It wasn't really until I got a better mentor that my skills improved. I think it's best to be shown these things than to dive right on in. It could create job trouble for you if you're not ready. But that's just my opinion; there are bound to be people who disagree with me.
(Brad -- I don't know if you're still interested. This post took 20 minutes and was edited three times...er...thrice.)
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