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Author Topic: Fundraiser for Projectionist Documentary!
Gerard S. Cohen
Jedi Master Film Handler

Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001


 - posted 05-22-2003 06:28 PM      Profile for Gerard S. Cohen   Email Gerard S. Cohen   Send New Private Message       Edit/Delete Post 
I received this email from Gabriel Rhodes today:

Dear friends of Behind the Glass,

Tara and I would like to extend our deep heartfelt appreciation for your contributions and support for our documentary, Behind the Glass. Thanks to you, Thursday's benefit was a huge success. We raised over $4000 which will go directly towards our first stage of production in August. We look forward to building this film piece by piece and we are anxious to show you more footage at the next benefit....whenever that may be! If you weren't able to make it to this fundraiser, we will definitely keep you in the loop for future events.

Raffle winners will be posted on our website this week. Please check http://www.behindtheglass.com for the final raffle results. If you won a prize, please reply to this email and we can arrange for delivery.

Again, thanks for your kind support. We greatly appreciate it.

Gabe and Tara
................

Gabriel Rhodes
69 3rd St. #2F
Brooklyn, NY 11231
gaberhodes@earthlink.net
phone: 646-498-9036

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 05-22-2003 06:36 PM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
Looks like I won "Legend of Maya Deren" books at the fundraiser.

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Gabriel Rhodes
Film Handler

Posts: 16
From: Brooklyn, NY, USA
Registered: Jun 2001


 - posted 10-03-2003 11:26 AM      Profile for Gabriel Rhodes   Email Gabriel Rhodes   Send New Private Message       Edit/Delete Post 
Hello all,

I have been off the forum for the Summer, working on the film, so I was pleasantly surprised to find all of these enthusiastic responses to this thread. Thank you all very much for your warm support for this film. I very much hope to see it playing in theatres when it is finished and I very much appreciate the kind offers from Mike and Lindsay to show the film in their countries. I will definitely get in touch when we near completion. And special thanks to Gerard Cohen for learning about the fundraiser on this forum and attending our fundraiser. Great to meet you Gerard!

Right now, we are pushing hard to get the production done. We just filmed projectionist James Bond in Chicago and I'm heading to Los Angeles next week to conduct research for the film. I was just awarded a grant from NY State Council on the Arts, so that should help to pay for some more filming. I intend to have the film finished in the next year or two. Work work work!

In response to concerns about the number of characters...I would love to include more projectionists in the film, but I'm more concerned with telling complete life stories and any more than 4-5 projectionists will unfortunately spread it too thin - that's my belief. I appreciate hearing your concerns and criticisms...as well as your support....keep 'em coming.

Thanks,
G

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Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002


 - posted 10-03-2003 12:45 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
I didn't see the original postings about this film, but I'm quite intrigued with the prospects for such a documentary.

I see this as a "Standing In The Shadows of Motown" for projectionists.

From my viewpoint, I think the most important aspect of such a documentary is to demonstrate how the loss of craftsmanship and professionalism in the booth negatively affects the way that we present our cultural heritage in film, just as the advent of mass merchandisers and shopping malls has destroyed much of the art of craft in this country.

Therefore, I think the film needs to be about more than about projectionists who are involved in obscure ventures. If the film is only about them, it's just a freak show.

In one point in your clip, it's stated that the old (palace) theaters were works of art. That's certainly true, but if that's all that is said, the implication might be that since theaters are no longer works of art, that we don't need films presented as if they were art. I think it also needs to be said that the projectionists of that era, especially in first-run houses, achieved the highest standards of presentation. Maybe there should be some interviews with some of those people. Perhaps there should be an explanation of how Cinerama required at least four operators.

There's also a statement in the clip that because of automation, there's a lot in the booth that no longer needs to be done. While there are certainly some aspects of automation that are positive, if that's all that is said, a viewer might come to the conclusion that it's no longer necessary to have a true professional in the booth....that a projectionist is nothing more than an elevator operator and is no longer necessary. I think the point needs to be made that it's absolutely necessary.

While I realize that you don't want to put words in the mouths of the subjects, documentaries certainly have points of view and I'd love to see this one have such a point of view as well.

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Gabriel Rhodes
Film Handler

Posts: 16
From: Brooklyn, NY, USA
Registered: Jun 2001


 - posted 10-03-2003 02:03 PM      Profile for Gabriel Rhodes   Email Gabriel Rhodes   Send New Private Message       Edit/Delete Post 
Hi Martin,

Thanks for your suggestions. I fully agree with you about the dangers of only profiling projectionists who work in obscure ventures. I am making an effort to include projectionists in more "typical" environments as well.

The clip only contains a capsulated version of what the final film will be and I am planning on enhancing many of these themes in detail in the longer piece. My POV is that projection is an art form and one that will be sorely missed when it is gone...in fact, one that is missed now, as far as my cinematic experience is concerned. So, I hope to make people appreciate that in the rush to develop technology, quality is iften sacrificed. That's an American story, ain't it?

Gabe

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Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002


 - posted 10-03-2003 05:42 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
quote:
My POV is that projection is an art form and one that will be sorely missed when it is gone...in fact, one that is missed now, as far as my cinematic experience is concerned.
Perfect!

quote:
So, I hope to make people appreciate that in the rush to develop technology, quality is iften sacrificed.
I don't think technology has that much to do with it. IMHO, like many industries (radio is another example), it's the fact that in American society, almost the only way we now measure success is by shareholder value and therefore, we cut costs to the bone no matter what the sacrifice in quality.

And those at the end of the chain get screwed the most. So while it's not unusual for films to have budgets of $75 million and above and for A-list actors to receive upwards of $20 million for a film, the studios and distributors then screw the theaters by demanding 90% of the take in the first weeks of a film's release.

Since the theater chains, in turn, have had incredible capital costs (and resulting debt) in building their giant multiplexes and overscreening many areas, this has resulted in theaters in which the only real profit center is the snack stand. Theater management is willing to sacrifice presentation quality and put the popcorn kid in the projection booth where he/she is operating 20 screens for 30 to 50 cents each per hour.

And the reason why they're willing to sacrifice that quality is because to them, what presentation means is a perception of quality, not the actual implementation. So what's important to them is stadium seating, rocking chair seats, digital sound (regardless of its quality) and fancy signage over the concession stand, not pristine prints, quality control in the booth, aligned projectors, properly equalized rooms, etc. And that's all aside from such aspects of presentation such as curtains, light shows, ornamentation, star ceilings, etc.

What they don't see is that in the medium to long term, this will drive customers back into their homes, especially as the prices for HDTV comes down and the theater to DVD window gets shorter and shorter.

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Gabriel Rhodes
Film Handler

Posts: 16
From: Brooklyn, NY, USA
Registered: Jun 2001


 - posted 10-04-2003 06:24 PM      Profile for Gabriel Rhodes   Email Gabriel Rhodes   Send New Private Message       Edit/Delete Post 
Hey Martin,

Your analysis of the problems with the film industry are spot on. I couldn't agree more about the studios and theater industry driving people back to their homes when HDTV prices drop. That's why they're talking about having televised sporting events in their theatres....theatres will become tv and vice versa. So much for quality projection....so much for projected movies period.

G

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