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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Ektapro 5000 - I need more light for these slides! (Page 2)

 
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Author Topic: Ektapro 5000 - I need more light for these slides!
Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 05-18-2003 06:50 PM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
As much as I would love to see LCD projectors doing the advertising presentation ..... I don't think it will happen. We do all our slides in-house, so all the gear is owned by us..... and I don't think it is 'that' bad to warrant the outlay for the Panasonics. Is there really no 'upgrade' for the Ektapro projectors? Surely there must be a lot of them in service.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 05-19-2003 09:03 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
You really need to consider a projector using an arc light source to get significantly more light than the usual tungsten-halogen lamps. Elmo has a 550 watt xenon unit (Omnigraphic 550 Xenon AF), and ORC used to offer modified Kodak projectors equipped with a xenon source.

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Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 05-19-2003 06:52 PM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
Thanks John .... Any idea on how much these units cost? .... And also, do you know if these or other companys offer some sort of upgrade 'kit' or 'add-on' to allow conversion to a xenon source?

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 05-19-2003 09:58 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
I'd expect the units are in the high single thousands (USD), new. The ORC unit was the "Xenographic XL," available in 500W and 750W versions, and when ORC self-destructed, it was bought by Strong. I don't believe they sell it anymore.

I've also been told that the Navitar units are still available. Navitar's price page lists them starting at $7k (USD) for the 560W.

--jhawk

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Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 05-20-2003 02:20 AM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
Ok .... Xenon is going to be out of the question [Frown] .... but has anybody actually upgraded to these 'Navitar 40% brighter' light modules for the Ektapro series of projectors? I'd like to know just how much better the image looked ..... and don't say 40% better! [Big Grin]

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Joe Beres
Jedi Master Film Handler

Posts: 606
From: Minneapolis, MN, USA
Registered: Nov 2000


 - posted 05-20-2003 09:08 AM      Profile for Joe Beres   Email Joe Beres   Send New Private Message       Edit/Delete Post 
The venue I work in is used for lectures and many other types of evernt, so we use slide projectorsquite often. Most of our projectors, all Kodak, are equipped with Gavi Lampmaster Duo units. On one occasion, we rented a xenon projector, and were quite unhappy with the results. The image was not significantly brighter, and the slides did not look "normal." I am assuming that the slides were processed with the color temp of an EXR lamp in mind. The "whiter" xenon lamp made everything look bluer than it should. That same night, we had the rental company bring in one of the Navitar units you speak of, and we did a side by side comparison of the Navitar and Kodak extra bright modules. The differences between the two were practically undetectable. The extra bright modules beat the brightness on the Gavi units and the Xenon projector considerably. It's been a while since I've used a Kodak projector with a standard lamp module, but I would not be surprised if there was a "40%" increase in brightness. However, as someone else mentioned, lamplife on the brighter lamps is considerably less than the standard lamps. As you do research, I would also recommend looking into the Gavi units, as they allow a bit more brightness by eliminating the mirror and allow for a quick lamp change if you lose a lamp in the middle of a presentation.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 05-20-2003 09:31 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I am less than impressed with the navitar upgrade lampmodule.
The cost per hour of operation would make xenon actually cheaper

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 05-20-2003 10:50 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Again, please remember that reducing the image area is also a tool you can use to increase screen luminance. I'd much rather see a reasonably bright 10 x 15 foot image, than a really dim 20 x 30 foot image.

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Fred Georges
Master Film Handler

Posts: 257
From: Lombard, IL, USA
Registered: Jun 2000


 - posted 05-20-2003 04:41 PM      Profile for Fred Georges   Email Fred Georges   Send New Private Message       Edit/Delete Post 
Hi Joe, Holy Cow, If that Xenon didn't stomp your tungsten machine (even with a Hot Shot module) there was something seriousley wrong with the Xenon. Most "rental" Xenon machines I've used Never have the lamps properly focused as the rental outfits defocus them to prevent burning the slides which is Bullshit. A Navitar Xenon 750 (750)watts properly adjusted will NOT burn slides & puts out over 5000 lumens. The best that a high bright "Hot Shot" tungsten module can put out is about 2000 lumens with a fresh lamp. They also make 1000 watt Xenon machines that put out over 8000 lumens without toasting slides. I own 5 Nav 750's and think they're fabulous BUT they sure ain't cheap. [Big Grin]

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Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 05-20-2003 06:57 PM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
John ... I have already tried to reduce the image size .. but I did not get a 'big' increase in brightness ... [Frown]

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 05-21-2003 07:38 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
In general, if you halve the image area, you get twice the brightness. A 10 x 15 foot image will be 4 times brighter than a 20 x 30 foot image, all else being equal.

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Fred Georges
Master Film Handler

Posts: 257
From: Lombard, IL, USA
Registered: Jun 2000


 - posted 05-21-2003 08:19 AM      Profile for Fred Georges   Email Fred Georges   Send New Private Message       Edit/Delete Post 
One thing overlooked in the slide projector brightness derby is the speed of your lense. Most of the popular zooms are in the neighborhood of F2.8-3.5 thats a lot of light eaten up by the glass. If your throw is acceptable you may be able to use a fixed focus lense with an f under 2. which will increase brightness considerably. You give up some depth of focus but, if you glass mount your slides they will remain flat in the gate and focus will be consitant. You should be able to score the lense you need off eBag for $50.00

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 05-21-2003 08:35 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
I agree. You will normally get better efficiency with a fixed focal length lens with a low f-number.

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Joe Beres
Jedi Master Film Handler

Posts: 606
From: Minneapolis, MN, USA
Registered: Nov 2000


 - posted 05-21-2003 10:08 AM      Profile for Joe Beres   Email Joe Beres   Send New Private Message       Edit/Delete Post 
Fred, that's what I thought, too, so I found the manual online, realigned the lamp, and it didn't look any better. Then, we had a tech from the rental house come over. He seemed to know what he was talking about. He said he installed a new lamp and tuned the machine up before delivering it to us. He said that they have had nothing but problems with the Navitar Xenons.

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Fred Georges
Master Film Handler

Posts: 257
From: Lombard, IL, USA
Registered: Jun 2000


 - posted 05-21-2003 02:51 PM      Profile for Fred Georges   Email Fred Georges   Send New Private Message       Edit/Delete Post 
Dear Joe, I've found the Nav's to be super reliable. In the 12 years I've used them (I do a LOT of slide work-Mostly medicals in multiple double & triple screen presentations) I've had to go to a back up machine only once and thats because the Kodak AF3 projector head jammed big time. The lamps for those Nav's are $1000.00 and most rental houses run them to the bitter end. It could have been a power supply problem though they usually are go or no go. Hope you get to try out a good one, you'll be impressed too. [thumbsup]

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