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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » "Pirates" SR track sounds wierd (Page 2)

 
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Author Topic: "Pirates" SR track sounds wierd
Peter Kerchinsky
Master Film Handler

Posts: 326
From: Seattle, WA, USA
Registered: Jan 2002


 - posted 07-16-2003 04:40 AM      Profile for Peter Kerchinsky   Email Peter Kerchinsky   Send New Private Message       Edit/Delete Post 
John (at Kodak)
Is there a slight possibility that trying to get some 3000 or so prints out on a feature in a short amount of time might mean there are going to be problems one way or the other. I really don't understand how these prints are done, but earlier the excuse was there might have been an unexperienced trainee in the lab.
What happened to quality control in this biz. I personally think there is none. Get em out ASAP, and burn em two weeks (if that) later.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 07-16-2003 08:39 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Actually there is a lot of quality control but also the time frame is much shorter
As has been stated many times often the cut negative will get to the lab on a mon or tues for a print run to be ready by wed of 3000+ prints.
So the few problems that do get through the chain are small compared to the amount of quality printed material that is released.
Also not every print is printed from the same negative. The master is used to make several negs for printing pureposes as well as some for export as well so one negative could have the flaw and it will effect all prints form it

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-16-2003 08:48 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
As I noted, when all the reels are affected in the same way (as seems to be in Jack's case), it's unlikely it is a printing or processing issue at the lab, since each reel is often done on different equipment and on different days. As Gordon says, considering the time constraints labs usually work under, a few dozen replacement reels out of 24,000 reels in a 3000 print release is remarkably good.

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