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Author Topic: Projectionist License
Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 11-19-2003 11:25 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
I'll bet I probably couldn't [Wink]

Steve

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Chris Trainor
Expert Film Handler

Posts: 161
From: Greenville, RI, USA
Registered: Jun 99


 - posted 11-20-2003 12:40 AM      Profile for Chris Trainor   Author's Homepage   Email Chris Trainor   Send New Private Message       Edit/Delete Post 
I'm sure there are servicepeople out there that would have trouble. [Smile]

But building a booth really isn't all that relevant to operating these days. Sure it helps to know how everything works from the electrical panel to the screen but it's more important these days to know how to take care of the film and put on a good show. That seems to be quite laking in many large theaters.

--Chris

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 11-21-2003 05:25 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Larry, the NY practical was similar. You didn't have to actually build a booth, but there were lots of exercises about proper wire sizing and correct breaker wiring and knife switch assembly. On my test, the tester asked me to throw a mains switch and tell him what I observed. It had a bad mechanical spring and the correct answer was that it was a "a broken switch" (happily, I got that right). What I got wrong was when I had threaded up and was actually running film that the tester told me to imagine a fire had started in the projector, show him what I would do. After going threw the whole routine...stopping the machine, putting on the house lights, closing the fire shutter, calling the manager, I thought I had done everything needed. He asked, what else would you do? I thought a minute and saw the fire pail filled with sand, so I said, "well, I would try to put out the fire, but I am sure that even though this is a practical, you wouldn't want me to throw this bucket of sand on your projector, right?" He was not amused. He asked again, "what else would you do?" I was really stumped -- "Get my butt out of here and close the door behind it?" "What else?" he said again. I couldn't think of another thing so I finally gave up....and promptly failed. The answer, call the Department of Gas and Electric and report a fire in the booth. I passed the next time round.

I also heard of one guy where he couldn't strike the ark. They have tools in the booth at your disposal and he did everything....used a meter to test if he had DC coming out of the rectifier panel, at the knife switch, etc. Turns out he didn't test the carbon rod itself, which, surprise surprise, was really a wooden dowel painted black to look like a carbon rod.

It was a challenge.

Back when I worked on the written test to upgrade it to ask questions about the operation of a modern booth rather than one designed in 1930, there was discussions about what to do about the practical to modernize it as well. They needed to either install a platter and xenon in their mock booth, or rent out a theatre when they needed to test applicants. I guess that was more trouble that it was worth to them and they must have dropped the practical altoghther. I am sure the continuing lobbying of the chain exhibitors to make the testing easy had something to do with the decision.

I have a friend who has not renewed his license simply be cause he says he has no intention of paying for a license when the theatres are sending unlicensed people to run the booths.

Frank

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Larry Shaw
Expert Film Handler

Posts: 238
From: Boston, MA, USA
Registered: Mar 2000


 - posted 11-21-2003 06:12 PM      Profile for Larry Shaw   Author's Homepage   Email Larry Shaw   Send New Private Message       Edit/Delete Post 
Frank,

Sadly, now the Mass. test is really just another tax.
And heavy lobbying by the exhibitors was the reason.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 11-22-2003 11:13 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
I have still seen no justification for licensing this profession as opposed to others. If it's just to ensure the customer getting a quality presentation great but then why do we not test and license all crafts and professions? Shouldn't the person at the paint store have some training before he/she recommends an oil stain instead of a latex one? Shouldn't the clerk at the toy store have some knowledge about child psychology? The clothing store people about wool and cashmere? This is not necessarily a bad idea. But as we don't do it for most other jobs I see no point to licensing projectionists.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-25-2003 02:47 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Licensing has a purpose and is justified when the HEALTH and SAFETY of others depend upon the skill and knowledge of the person providing the service. If an incompetent projectionist or projection engineer jeopardizes the safety of theatre patrons, regulation through testing and licensing is justified. For example, handling nitrate film, working on power wiring, being responsible for emergency evacuation procedures, etc. There may also be justification for the protection of the worker -- assuring that a person is qualified to safely handle a xenon lamp, or understands "lock out - tag out" electrical safety procedures.

I certainly want my doctor, nurse, airline pilot, aircraft mechanic, train engineer, bus driver, electrician, etc., to be certified/licensed. I even dare to hope that all other drivers on the road are licensed. Many civil engineering projects require the sign-off of a licensed Professional Engineer (PE), plus periodic state inspection and recertification.

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