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This topic comprises 2 pages: 1 2
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Author
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Topic: CLEOPATRA.
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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002
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posted 12-03-2003 03:13 PM
Yes, the Fox San Francisco Theatre was operated by Fox West Coast Theatres. Which later became National Theatres, Inc. and later National General Theatres, which was later sold to Ted Mann to become Mann Theatres. Fox West Coast Theatres operated over 200 theatres in California / Arizona region. Other divisions of the company were Fox Inter-Mountain Theatres, Inc. 71 theatres(Colorado, Idaho, Montana, Nebraska, New Mexico, Utah, Wyoming), Fox Midwest Theatres Inc. 95 theatres (Illinois, Iowa, Kansas, Missouri, Nebraska), Fox Wisconsin Theatres, Inc., 29 theatres (Wisconsin), Evergreen State Amusement Corp. 27 theatres (Oregon, Washington), Fox Michigan Corp. operating the Fox Detroit, Roxy Theatre, Inc., operating the Roxy Theatre in NYC, Fox Philadelphia Building Inc. operating the Fox Phildelphia. This is National Theatres as of 1956 with Charles P. Skouras as president of the company. The Skouras family also had a chain of theatres since the 30's in New York and New Jersey areas. Skouras Theatres Corp. with 46 theatres in the New York & New Jersey as of 1956.
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John McConnel
Expert Film Handler
Posts: 118
From: Okmulgee, OK USA
Registered: Nov 2003
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posted 12-04-2003 12:46 AM
I know it's off of the CLEOPATRA topic, but your post is interesting information, Bill. Thanks. I've visited 3 of the Foxes you mentioned, in Philadelphia, Detroit, and St. Louis. They were/are wonderful theatres. Sorry I missed SF!
In Philadelphia, Mr. Milgram personally got on the telephone to approve my request to visit. It had a screening room, Top O' the Fox, on the 12th floor, and the stage had been converted to a theatre at the time I was there (early 1970s).
One little insignificant observation in Philadelphia was generators way down in the basement for the arc lamps. I think they may have been 180/180-amp. Their whine increased noticeably when the arc was struck on the incoming lamp for a changeover. They sounded so pretty.
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Frank Aston
Film Handler

Posts: 54
From: Albrighton, Shropshire, UK
Registered: May 2000
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posted 12-04-2003 05:45 PM
I can certainly relate to the idea of movies like RETURN OF THE KING being presented as ROADSHOW presentations. Everything is actually in place at present. Advance booking, seperate performances, excited anticipation. The only things that are missing are agreements between studios/distributors and exhibitors which would restore the sense of theatrical occasion presently missing. I'm talking about curtains (tabs), stage lighting, overtures, proper, carefully placed intermissions, entr'act music, exit music and SHOWMANSHIP. Oh, back to my origional topic. Despite it's flaws as a movie, CLEOPATRA had all the above in spades on it's initial release in theatres which "do film right".
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