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This topic comprises 3 pages: 1 2 3
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Author
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Topic: What's a Dolby Cat 280 Card?
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Oscar Neundorfer
Master Film Handler

Posts: 275
From: Senoia, GA
Registered: May 2000
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posted 12-22-2003 09:28 AM
I am sure I will hate myself for getting into this, but I feel a little masochistic today, so here goes.
Darren had voiced his opinion about comparing the Dolby 280's and CopyCat 280's. He said, "I have done side by side test with Dolby 280's and copycat 280's on optical and 70mm Mag, optical sounded the same,..."
Then Mark says, "Darren, Thats actually a very wrong opinion..."
Mark, I beg to differ, but an opinion is not a fact and is neither right nor wrong when it comes to subjective impressions of sound (or similar issues). It is what it is, an opinion. You may disagree with said opinion, and you may think your opinion to be "correct", but that does NOT negate the other person's opinion or make it wrong.
Mark then said, "In a somewhat extended listening test of that ptocessors <MOD 7> different noise reduction schemes we determined that the SR(or copycat) circuit that was built in was basically unlistenable."
Again, an opinion with which I will differ. Different, yes. Inaccurate in certain ways, yes. Unlistenable, no. But as I said above, my opinion does not negate yours.
Steve said, "I'm not being too hard on the copy cat...if you can't hear the difference...either you are deaf or your system sucks so bad that you can't hear it. If you want to play the film wrong...just skip the copy cat all together."
Steve, just to make sure I understand, you are saying that you would rather play a SR soundtrack totally unencoded than to play it through the CopyCat circuit. Is that correct? I have listened to unencoded SR prints, and I would find your position difficult to justify. Nevertheless, I respect your opinion and defend your right to it.
I am neither deaf nor have I heard the CopyCat through sucky systems (well, at least not all were sucky). Yes I can hear the differences. It is not SR. It has never been intended to be SR. We have always called it an emulator. It is a very inexpensive (and patent infringement free) circuit that was designed to give a "reasonable" playback of an SR soundtrack. I understand that many of you will listen to it, make comparisons to the REAL SR (CAT 280), and come away with a bad opinion. That is OK. Nonetheless, I would venture to say that for the majority of non-golden-eared people who go to the movies, it does a good enough job to be acceptable. If you do not agree, that is OK with me.
I don't really want to turn this into a protracted back and forth battle. The CopyCat is what it is, no more and no less. It is in widespread use and is (apparently) providing a satisfactory playback for those who use it. For others who do not like it, my advice is, as some you have stated here, don't use it.
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Oscar Neundorfer
Master Film Handler

Posts: 275
From: Senoia, GA
Registered: May 2000
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posted 12-23-2003 06:31 AM
Hi Mark,
Thanks for the kind words. I have tried to be acccessible and honest on this forum for any problems or complaints or (one would hope) compliments regarding SMART equipment.
I know you well enough to know you would not make such statements about the sound quality without good reason. The fact that others were present who, as you describe them, are not super critical listeners, and all came to the same conclusion makes me think something could be wrong with the MOD 7 you have.
As a baseline from which to judge, have you heard other SMART processors, such as the MOD IIB or MOD IIC (which have the same nr circuitry) and if so, did you come away with the same conclusions as you did with the MOD 7? If you have heard other of our processors and heard the same thing, then one would suppose the MOD 7 is operating "normally". If not, then we may want to take a look at your MOD 7 for possible repairs.
You also mentioned the possibility of an outboard SR processor. I have not looked at the price numbers, but I kind of doubt one would want to buy the lowest priced processor in the market and then spend a lot of money to upgrade it as you suggest. But, I could be wrong. I am wrong at least 10 to 20 times a day
Jhawk said, "and hope it doesn't mean he's about to depart.
No, I am not going anywhere. If I am going to be in this market, then I have to take the bad along with the good. I just don't want this to turn into a huge battle. I have heard our product enough with many different soundtracks to know that it is not as bad as Mark was describing and is not as good as the real SR.
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Peter Hall
Master Film Handler

Posts: 314
From: London, UK
Registered: Dec 2000
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posted 12-24-2003 04:04 AM
We feel that the use of the CC Cards is totally justified if the client otherwise cannot afford SR. Yeah - if you can afford the real thing then buy it, but if not then the CC cards are a hell of a lot better than A type.
We started using them for upgrades when the client had only A type, or in one case where the client wanted to skip SR and jump straigth to SRD.. - without the CC cards the default to optical was brutal to say the least..
We set up a blind test with a couple of CAt280s and a couple of CC280s - didnt let the client know which they were listening to - the client himself liked the CC cards better, his engineer 50 / 50. Running a reel of trailers the difference in sound was apparent but argueable (according to the client) as to which was better, however yes on the jiffy film the sweeps made the differences more obvious.
Rang a site with two identical screens, one CC 280s and one Cat280s - the operator was unsure which screen had the CCs in and suggested that if there was a performance difference then the threefold price difference more than negated this.
Strangely have had no negative comments from sites re the CC280s however did get a couple of negative comments back from a site with CP65s and a set of CC350s - (Pete- is this the site you refer to ??) - is there a difference ? My feeling is that the lightweight amps and non horn loaded stage speakers on this site are not up to SR or any reproduction with bandwidth and headroom beyond that of a 78 RPM record, and that any improvement in the sources here would show up inadequacies further down the line.. A 1.5" dome tweeter is not ideal for punching thru a perforated screen. Nor is an 8" bass
For the record, a set of Cat280s (without a frame or installation) costs more here than an entire SMART ModV11. CC Cards list at under half the price of the 280s, and frames are readily available second hand. (We've also used Cat (I think) 364 NR frames for these)
It's fine to be a purist but with screen numbers increasing beyond admission numbers, theatre owners have to make realistic decisions. Does a big sign advertising "genuine Dolby SR" really put more bums on seats than say an extra sub or installing the correct no of surrounds ? Some years ago we managed the development of a pile of screens and early on took a decision to omit curtains and install SRD with the funds freed up - a few purists moaned about the lack of tabs but most preferred us to screen the film in the format it was made rather than see some tasteful moquette for 5 minutes before the adverts. I'd argue that if funds are limited the use of CC vs SR cards is a wise economy if the funds are better needed elsewhere (we have seen plenty of sites with plastic based seats, outdated washrooms and no CCTV in the carpark - I'd be curious to ask what the audience would prefer ??)
We'd love to install 3 way THX systems in all screens, and continue to do so when the budget allows, but the trick is to be able to deliver the best all round performance when budgets are limited. A ModVII + a DTS6 costs only a bit more than a CP45 - which would you choose ? (assuming disk availability)
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