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This topic comprises 2 pages: 1 2
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Author
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Topic: Filmguard on 16mm work prints?
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 03-15-2004 01:34 AM
quote: If you follow the instructions and aren't using super cheap splicing tape, then FG won't have an effect. If the tape is low quality or you are dousing the film, then it can loosen tape splices.
I'm using Jack Roe tape, which I've never had any quality issues with. I generally apply FG by hand, using a 5" square Selvyt cloth, applying one squirt per 400 feet of 16mm approx; two if the element is especially dirty. I would guess that I'm winding at about 100 to 150 feet per minute, and pass the film through the cloth applying very light pressure with thumb and forefinger. I then wind the reel a second time through a dry Selvyt to take off the excess. I have frequently found that a few days after application, tape splices will loosen enough to risk coming apart in a projector or telecine mechanism, usually in the gate.
If I understand Christian correctly, he's talking about workprints running on a Steenbeck - i.e. a continous motion film path which (unless the element has a combined optical track, which a workprint won't) does not apply any significant pressure to the film. This is a very different scenario to running release prints running through a projector. I, too, have never had any joins come apart when running Filmguarded 16mm elements on a Steenbeck, but I have in projection.
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Christian Appelt
Jedi Master Film Handler
Posts: 505
From: Frankfurt, Germany
Registered: Dec 2001
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posted 03-16-2004 03:49 PM
The work prints on which I used FG have been run on editing equipment as well as in standard theatre projection equipment (like Kinoton FP30, Bauer U4C, Philips DP70, running from platters or 6000ft. reels.
Before projection, I always checked the prints on a horizontal rewind table, and all splices were OK, no sign of weakening or edges peeling off. The longest span of time between FG treatment and projection was 3 years, so I feel that FG applied sensibly by hand does not affect tape splices even a few years later.
Certainly continuous motion like on a Steenbeck/KEM table or in a telecine machine will be easier on prints and splices, but in projection the WPs were handled like any standard release print and shown at least three times, so this should not account for the good condition of splices.
In other words: It seems safe enough for me to use FG on work prints, which usually get scratched easily because of dirt and abrasions on the film.
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