|
|
This topic comprises 3 pages: 1 2 3
|
|
Author
|
Topic: Will DTS XD10 end SDDS?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
|
posted 05-20-2004 11:37 AM
quote: Brad Miller Blah! 70mm prints would be a much better improvement than 8 channel to presentations.
Why not do both? DTS is still selling those 70mm time code readers aren't they?
quote: The only argument for 8 channel are big screens. And big screens are dead! Get over it! No one likes big screens anymore! 49 feet is way more than enough for any exhibitor!
Screens much larger than that need 70mm. 35mm shown on a 75' wide screen just looks too damned dim. I don't have the actual list in front of me, but I know there were more than three SDDS-8 releases. "Erin Brockovich," "Ocean's Eleven," "U-571" and "The Perfect Storm" are among recent SDDS-8 films (and all of those have the SDDS 8 Channels logo on their end credits). Steven Soderbergh likes the SDDS-8 format.
However, the vast majority of all SDDS tracks are 5.1. And it should be noted the vast majority of all SDDS installations are wired 5.1 as well. Very few theaters out there have the Left Extra and Right Extra stage channels. I remember all the extra work Sony tried to do in marking that difference for the NY and LA stack ads for "Starship Troopers," one of those rare films that had an SDDS-8 track, DTS time code but no Dolby Digital.
quote: Aaron Garman Actually, what ever happen to the idea of tactile sound systems? I figured instead of more channels, this would be the next step for motion picture evolution. Sure, you can get them at home and run your subwoofer output into them, but it'd be neat to have a dedicated channel that literally shakes the room.
That would be nice. However, it is RARE for me to visit a commercial movie theater these days where the single ".1" channel is working properly. There's a variety of problems.
Biggest one: the stadium seated theaters have weak-ass speaker systems not appropriately designed for the size of the room. They need to have speaker/amplification systems more along the lines of what IMAX puts in their houses. But that costs more money and mainstream exhibitors only seem willing to do what's "good enough."
Then you have the other issues, such as theaters not replacing blown subwoofer drivers, the sound system has fallen way "out of tune" or the EQ settings have been all jacked to hell --or just the simple problem of the fader being turned way down low to please the folks who complain about the movie being too loud. Movies are supposed to be kinda loud, or at least have impressive and even startling dynamics. Those who want a quiet movie need to stick with their TV and VHS deck.
Now, if you want a "tactile" sound system, just watch a movie in Brad's screening room. The sub-bass on that rig produces WIND.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 3 pages: 1 2 3
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|