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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » "Lights Down" levels (Page 2)

 
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Author Topic: "Lights Down" levels
Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 07-27-2004 10:15 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Paul Cassidy
the light from the screen
Shouldn't that be "the light from the projector"?

(ba-da-bum) [Big Grin]

But seriously folks, we turn our lights all the way off. We do have one of those evil red Exit signs next to the screen which I would love to move, but...that's where the exit is. I did put a couple extra layers of red cellophane in it so it's way dimmer than before.

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 07-28-2004 12:39 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
quote: Dean Kollet
I agree that it's awesome to have no lights during a show, but from a safety standpoint you need some.
Isn't that what the aisle lights are for? I really don't think having the house lights to a bare minimum glow adds any real light to the auditorium. It only serves as a distraction.

Regarding exit signs, the LED or glow-in-the-dark versions aren't nearly as bad as the traditional ones.

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Mike Olpin
Chop Chop!

Posts: 1852
From: Dallas, TX
Registered: Jan 2002


 - posted 07-28-2004 03:40 AM      Profile for Mike Olpin   Email Mike Olpin   Send New Private Message       Edit/Delete Post 
I really like the phosphorescent glow in the dark signs. They require no electricity, are easy to read in the dark, and they just feel theatrical.

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Patrick A. Meister
Film Handler

Posts: 22
From: Switzerland
Registered: Aug 2003


 - posted 07-28-2004 05:56 AM      Profile for Patrick A. Meister   Email Patrick A. Meister   Send New Private Message       Edit/Delete Post 
Hi

There can be another reason for not fully going off:
When a dimmer with Lamp-PreHeating is used, tha lamps always glow slightly. This is mostly adjustable.
It depends on the dimmer.
Some dimmers allow to fully turn off the lamps when all faders are down. Bypass-Mode morstly forces pre-heating - the more a fader is open, the more pre-heating on the channel.
All the informations depend on the dimmers, I worked with.

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Andrew Jefferson
Film Handler

Posts: 23
From: Brisbane, QLD, Australia
Registered: Jul 2004


 - posted 07-28-2004 11:10 AM      Profile for Andrew Jefferson   Email Andrew Jefferson   Send New Private Message       Edit/Delete Post 
Are aisle lights not common in the U.S.? Here in Aus we have house lighting (full during intermission) and half or quarter during advertisements and credits. During the trailers and feature the only light from anywhere is the glow from fibre optic aisle lighting and glow-in-the-dark EXIT signs.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 07-28-2004 12:18 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Coincidentally, just yesterday I had a sit-down with the lighting director at our theatre to work out what lighting controls I will need in the booth to control the new lighting system that is being installed as part of our major renovation. And yes, the system will never have a really FULL off; the house will always have a pre-heat state in all the bulbs. But a well designed cinema theatre will never have any lighting being "seen" by the screen directly. Plus there is isle lighting and step lighting that is separate from the main house lights. All the houselights provide indirect illumination,

The wind up was that the booth will have four levels on touchscreen pads on the control consoles -- 1) full
2) 1/2 house, 3) credits, 4) show glow.

I can't wait to play with this stuff.

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