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Author Topic: Trailers are too loud - the smoking gun Daryl C. W. O'Shea Film God Posts: 3977 From: Midland Ontario Canada (where Panavision & IMAX lenses come from) Registered: Jun 2002 posted 10-23-2004 07:16 PM                        Matrix decoding of what? I wasn't limiting 'SR' to just the noise reduction. Just like it says on the 6AD, 'SR' refers to noise reduction and matrix decoding. Including the wonderful fallback to folding down the stage channels to mono.  |  IP: Logged Steve Guttag We forgot the crackers Gromit!!! Posts: 12814 From: Annapolis, MD Registered: Dec 1999 posted 10-24-2004 12:39 AM                     Nah, the CP500/CP650s presets suck ass too. Panastereo got it best...it always remembers where the fader was last set on a format by format basis. You don't have to reset the presets just adjust it and you are done. Steve  |  IP: Logged Michael Schaffer "Where is the Boardwalk Hotel?" Posts: 4143 From: Boston, MA Registered: Apr 2002 posted 10-24-2004 03:34 AM                        The DFP-D3000 also has a level memory feature for trailers and feature films... one of many good ideas they had which are probably doomed just like the format is. Another one was the non-sync fade in/fade out which I really like and I don't understand why other processors don't have that.  |  IP: Logged Steve Guttag We forgot the crackers Gromit!!! Posts: 12814 From: Annapolis, MD Registered: Dec 1999 posted 10-24-2004 08:01 AM                     The DFP-D3000's fader memory (if my memory is correct) is on a trailer by trailer basis...that is it will recall what a specific trailer volume was set to. As to Non-Sync fades...many processors do that. Panastereo included. Steve  |  IP: Logged Brad Miller Administrator Posts: 17775 From: Plano, TX (36.2 miles NW of Rockwall) Registered: May 99 posted 10-24-2004 03:34 PM                     Geez, you guys and your processors wars. If you were installing CA21 automations, none of that would matter because you would have all of that control...and more.  |  IP: Logged

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