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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » New prints...quality going downhill? (Page 2)

 
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Author Topic: New prints...quality going downhill?
Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 11-17-2004 12:02 AM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
quote:
I would be requesting replacement reels for EVERYTHING that had them visible!
The problem is you'd probably get another reel with dots on it. Maybe we should organize a massive reel recall on some movie to make our point.

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Phil Blake
Jedi Master Film Handler

Posts: 558
From: esperance western australia
Registered: Nov 2003


 - posted 11-17-2004 09:18 AM      Profile for Phil Blake   Author's Homepage   Email Phil Blake   Send New Private Message       Edit/Delete Post 
I am also inclined to wonder about print quality. Althought I have not received any prints to date with scratches or time code problems, but I do wonder about the overall print processing quality.

For example bridget jones 2 the trailer was excellent , bright sharp clear image , however the actual print is very grainy and pale . Quite a few films are this way , some clear some very grainy .

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David Yauch
Expert Film Handler

Posts: 206
From: Mesa, AZ, USA
Registered: Oct 2004


 - posted 11-17-2004 09:34 PM      Profile for David Yauch   Email David Yauch   Send New Private Message       Edit/Delete Post 
quote: Barry Martin
In the outer edge of the film where the SDDS soundtrack is printed (blue tint) there should be a code number in magenta (pinkish) color. These codes are printed on the raw stock and can be used to track the reel and who handled it.

Ah I've noticed those. I didn't check today what the ID was so I'll have to check in on saturday as I'm going out of town tomorrow.

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Barry Martin
Expert Film Handler

Posts: 203
From: Newington, CT USA
Registered: Jul 2002


 - posted 11-18-2004 01:32 AM      Profile for Barry Martin   Author's Homepage   Email Barry Martin   Send New Private Message       Edit/Delete Post 
Just remember to look at the part that has the damage/error. and go to the nearest code. Those codes are on the RAW stock so I would assume if there was a lab splice in between the code would be different for each side of the splice. At least that's how I've come to understand it.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 11-30-2004 03:18 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
I even heard that the major cities even receives IB prints of the major movies at their theatres whereas the rest of us gets the thousand-prints-a-minute Eastman stock. - Monte

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 11-30-2004 03:22 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Monte, you should consider using the search function of these forums and search for "IB" and/or "dye transfer".

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