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This topic comprises 3 pages: 1 2 3
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Topic: Blown Subwoofer
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 07-10-2005 05:04 PM
quote: Tim Reed When challenged, they rationalize and offer circular arguments, but NEVER acquiesce. I submit that this is far worse than someone who simply speaks from ignorance.
Tim, there are those that offer opinions as facts and I can understand your dislike of that. "I like brand ABC projector and it blows the rest out of the water...yadda, yadda, yadda." People can debate such a statement forever since what goes into what one likes/dislikes is unique to the individual.
What I don't agree with you on here is the harmlessness of one that speaks from ignorance. They do a disservice to everyone else that reads the post and tries to apply truth to it.
In this post, we have an individual that backs up his statement with "40-years of experience". To many people, that would be considered pretty credible. However to make a statement that is beyond debate wrong (the math does not back it up) and hence is misleading to those that don't know better. So this gets chalked up as a "print problem" and others now feel that it is a fluke and that a single 18" sub is all one needs in a 65' deep room. What a disservice that is to everyone that reads it.
Many people in this biz are weak in the higher mathematics department. To calculate power is not that hard but it does require working with logarithms and anti-logarithms.
How many people here on Film-Tech select amplifier power based on actual need and how many choose it based on "gut feeling" or past experience?
Again it is one thing to post something to the effect that "we just blew out our subwoofer on such and such a film and I don't understand why" but this guy came from a position of experience that it couldn't be the amp and subwoofer combination. It is like saying 2 + 2 = 5 and saying it has to be true...that is not life and death either but is quite wrong as well.
If the guy had posted that with a 1000-watt lamp his 50-foot wide picture looked dark while running THE VILLAGE and there is no way that 1000-watts was not enough...after all that is over 16 TIMES the size of his Soft-white lamps he uses in the ceiling and that is pretty bright. Other films didn't look that dark. The math is easier there and many at least have some formula they use to justify their lamp size versus screen size (then again, there are those that continue to figure that the throw factors in there).
If someone professes knowledge they do not have, they should be challenged, in my opinion.
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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 07-11-2005 01:10 AM
I've noticed that, sometimes, peoples' replies can be a little curt. Frankly, most of the time I just think to my self, "F*** him!", then let it roll off.
Sometimes I'll reply by saying, "I thought...", then wait for the explanation. By that time, I've probably gained about 10 times more information than I could have dreamed of learning in the first place.
By that time, if I still don't like the guy's tone, I just go back to the F.U. thing. You know the saying: "If they can't take a fuck, JOKE EM'!"
Back to the topic:
I can empathize with the people whose sound systems are under gunned and over worked. I have to deal with a real "Frankenstein" of a sound system! I spend all my time trying to make my shows as good as possible only to have a crappy sound system make me feel like I'm shoveling shit!
I'm shooting a 31 foot wide screen with a 2000 watt lamp from 109 feet away. The picture is just about as bright and clear as what the local Cinemark does with the same size screen and half the distance and twice the wattage. (I'd like to see it a LITTLE bit brighter... Maybe I can squeeze a few more photons out of it... Someday.)
But, anyway, the picture is as good as I know how to make it. Then we play some British costume drama where 2/3 of the movie's plot is in the dialogue and they all speak with heavy accents. It's like trying to pull hen's teeth to convince people to even THINK about fixing the sound system!
Some nights I go home feeling like I want to spit bullets!
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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 07-11-2005 08:43 AM
quote: Steve Guttag Many people in this biz are weak in the higher mathematics department. To calculate power is not that hard but it does require working with logarithms and anti-logarithms.
I say screw the math. You simply can't have too many subwoofers.
quote: Steve Guttag (then again, there are those that continue to figure that the throw factors in there).
Funny you should mention that -- my General Manager and I just had this argument a week ago. He insists that the greater the throw, the more light is needed. I keep telling him, if the lens speed stays the same and the image size stays the same (by virtue of the correct local length lens), then the light intensity that produced nFtL at that given image size when the projector was 50' way will produce the same nFtL at 75' or 100' or 150' for that same image size, assuming a controlled indoor environement, not an outdoor DI where atmospheric light attenuation.
He refuses to believe me. I think it is because most people's experience comes from unscientific observation, where when they move a lamp closer to a surface, the reflected light on that surface gets brighter; move the lamp away and it gets less bright -- bring a flashlight close to the wall, the light gets brighter & vise a versa. Of course this observation is missing the lens AND the size of the lighted area is not remaining constant. Yet it seems that this practical experience or "gut feeling" is one powerful thing to overcome, even when facts to show otherwise.
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