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Author Topic: Speed controlled CD player
Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 09-26-2005 06:59 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
The man who tried to sync stereo disc with mono film track was John Karamon, the father of the sound sphere speaker. Louis

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Peter Mork
Expert Film Handler

Posts: 181
From: Newton, MA, USA
Registered: Jun 2002


 - posted 09-27-2005 07:31 AM      Profile for Peter Mork   Email Peter Mork   Send New Private Message       Edit/Delete Post 
quote: Frank Angel
Would you believe before the restoration of MY FAIR LADY and THE SOUND OF MUSIC, I had to run these titles in MONO sound?
Somehow, the world kept turning.
quote: Frank Angel
Yet, the DVDs were readily available with the full multichannel soundtracks.
But surely there's no guarantee that anything you cribbed off a DVD would be the same as what was on those old multichannel prints?

Oh heck, I might as well say it - I think stereo is way overrated! Since we're harping on old musicals, I ran West Side Story last year in a pretty good vintage mono 35mm print. I failed to hear any weeping noises from on high - in fact, it looked and sounded like...like...like a movie! What more do you want?

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 09-28-2005 09:05 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Great news about CAROUSEL and THE KING AND I. I am definately going to book both of them.

quote: Peter Mork
Oh heck, I might as well say it - I think stereo is way overrated! Since we're harping on old musicals, I ran West Side Story last year in a pretty good vintage mono 35mm print. I failed to hear any weeping noises from on high - in fact, it looked and sounded like...like...like a movie! What more do you want?
Where did you book WSS? Two years ago I ran a beautiful new print with SRD -- not a splice in it and heads and tails unspliced. But it was a studio print; they were only letting it out at that time to change-over booths using only 2000' reels.

Stereo over-rated? For a MUSICAL like WSS? I mean, I can't argue with your own personal preference if stereo doesn't do much for you, but come on -- audiences should see these classics the way they were intended. Personally, stereo for me totally rocks -- it is painful for me when I know something was recorded in stereo and I can't present it that way -- for me, it is a major enhancement over mono.

Admittedly, while stereo doesn't prevent you from "seeing the movie," if that's the only criteria that determines what's acceptable, then any number of other compromises will let you see the movie -- but I think most exhibitors strive to get presentation to be as true to the original work as possible. I suppose you could apply that minimal is OK philosophy to, say, scope presentation. One could say they think wide aspect ratio is "over-rated," but I think most people would decry running a scan & pan TV print instead of a scope print as being an unacceptable compromise, even though you might say that it still "looks like a movie." I would say, not so much.

quote: Peter Mork
it looked and sounded like...like...like a movie! What more do you want?
I want it to look and sound like the movie the film-makers recorded and photograhed.

PS -- Peter, if you didn't hear any weeping from on high, maybe you weren't listening closely enough. I hear it....and it's in stereo. [Wink]

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