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Author Topic: Westrex Tower Capacity w/36" reels
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 10-07-2005 03:29 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
'Not recommended' would apply to practically everything which went on in that place. From the fuse box with 3-inch nails soldered across the terminals to the popcorn machine which hadn't been cleaned out in living memory, it would make The Smallest Show on Earth look like an object model in good practice.

All making up and breaking down happened in screen 1's booth, and yes, it was straight onto the tower. I did as much as I could to improve presentation standards - for example, I smuggled a role of Jack Roe splicing tape in from the student film society I also projected for at the time, as an alternative to the masking tape provided!

Nine times out of ten, the film in screen 2 would have played in 1 previously, so the tower spool was simply manhandled between the two. Splitting it into 6k reels to shift it would have made negotiating the spiral staircase a bit safer, but thankfully it wasn't me who ultimately ended up his regretting the idea. I needed the £3.50 an hour he paid me at the time (allowing for inflation, that's just under the legal minimum wage now), and so put up with it.

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 10-07-2005 05:34 PM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
Wasn't run by a company named after a small red breasted bird, commonly seen on chrimbo cards was it?!

Making up onto 6k spools is the recomended procedure in the Westrex bible.

There is no mention of safe handling of the large spools in the book, I've seen a few places with some kind of hoist for getting spools, even prints in boxes between floors. I've personally never had a problem handling a full 13,000' reel, but I'm not exactly small.

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 10-07-2005 07:32 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
quote:
Wasn't run by a company named after a small red breasted bird, commonly seen on chrimbo cards was it?!
Touché - but this was an independent. The reference to Basil Fawlty should give you a geographical clue.

quote: Pete Naples
I've personally never had a problem handling a full 13,000' reel, but I'm not exactly small.
I'm 6'3" and not what most people would call a shrinking violet: a straightforward lift never gave me any problem, either. The problem was transferring the weight of the spool plus that of my body from left to right foot and back again while climbing up (or even worse, down) the tight 90° turn of the spiral staircase. The clearance of the stairwell also meant you had to hold the spool up so that the bottom apex was at about knee height.

Ahh.. happy days!

[evil]

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Bernard Tonks
Jedi Master Film Handler

Posts: 619
From: Cranleigh, Surrey, England
Registered: Apr 2001


 - posted 10-08-2005 07:51 AM      Profile for Bernard Tonks   Email Bernard Tonks   Send New Private Message       Edit/Delete Post 
Anyone know the most screens in a complex all running with Towers. I have visited the Classic Moulin cinemas in Piccadilly Circus that had six screens with Towers. There were three projection boxes, Screen 1 being in the original old Newsreel Theatre. Screens 2 – 5 was the new construction. Next door was the Dilly Cine which was incorporated into the complex as Screen 6. All showing triple bills of sexy ‘X’ films with very choice titles continuous daily from 11am until after midnight with late shows!

There were two projectionists on duty who obviously were kept very busy. Mostly made up on all the Towers, on the ‘A’ side were the first two features, ‘B’ side for the third feature. The Moulin closed around 1990 I believe.

quote: Pete Naples
Good choice on the Westrex 5035, they are easy enough to use, and indestructable. Contrary to popular belief, they do not damage film, if used correctly, follow the makers instructions and all will be well.
Pete is so right about the Westrex 5035. I had years of trouble free service. When I bought the tower 2nd hand I had all the motor bearings replaced. One spindle was slightly worn, which was replaced with an exchange unit supplied by Omnex. In later years a good chief projectionist friend gave me a set of spindles which he got made himself.

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David Graham Rose
Expert Film Handler

Posts: 187
From: Cambridge, UK
Registered: Sep 2002


 - posted 10-12-2005 01:29 PM      Profile for David Graham Rose   Email David Graham Rose   Send New Private Message       Edit/Delete Post 
Greetings All from a miserable Cambridge

Check out this link. This was an old UK Odeon 6 screen operation that used towers. Rather interesting to a tower fanatic such as myself!

http://web.ukonline.co.uk/stephen.johnson/drake/

Goodnight

David

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-12-2005 01:58 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: Leo Enticknap
Touché - but this was an independent. The reference to Basil Fawlty should give you a geographical clue.

You mean the one next door to the transport undertaking? I've never used either the transport or the cinema, but I have been to the town, and seen both. If this is the one you mean, wasn't it owned by the transport undertaking, who wanted to convert it into something other than a cinema, but the application was refused, so it was simply closed, and was boarded up the last time I saw it, probably about 5-6 years ago?

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 10-12-2005 02:27 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
I couldn't possibly comment! [Wink]

As for the Plymouth Odeon, I saw a few films there when I was a student living in the city from 92-95. Interesting that it was built as recently as 1958 - it didn't strike me of having quite the layout of a 1930s single screen picture palace, somehow. But my visits had to be surreptitious ones, because I worked as a relief for the opposition at the time (well, it wasn't really the opposition, as it was an arthouse with very diffrerent programming).

Also interesting that the author of the page David linked to claims that parking charges killed the place off. There's been a parking charge controversy rumbling on in York for three years or so now, when the newly elected Lib Dem council decided to show its green credentials by whacking the charges up. At one point it was £4 an hour, including evenings and weekends, but it's come down a bit since (a posse of activist grannies complaining to their councillors that they could no longer go to their knitting clubs in the evening without being raped in some dark alley saw to that). Both the Odeon and City Screen don't have on-site car parks and so were especially vulnerable to the price hikes. I gather from chatting to people that both places did take a substantial box office hit, so much so that the Odeon was rumoured to be on the verge of closure at one point. City Screen was less vulnerable, as the cinema also has a public bar (an upmarket pub, to all intents and purposes), which probably does as much if not more business than the films.

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-12-2005 03:11 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
I seem to remember that the original-DP-70s from the Drake were the ones which were later installed at MOMI.

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 10-12-2005 04:34 PM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
The Lonsdale, Carlisle, has 5 screens, spread over 2 buildings. All have Westrex 5035 long play devices. The 2 screens in 'the City' building, have Strong CPA10 automation.

Rather sad to see cinemas like the Drake closed, never heard of or been to the place, but I can well imagine... There just aren't any left like that in Scotland now.

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-13-2005 06:49 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Pete, thinking back to my CTA Cumbria visit some years ago, didn't they used to have towers in the older building, and platters in the newer one? If so, why did they change, to make moving prints between buildings easier?

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 10-18-2005 12:43 PM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
Stephen, yes, and also because they only seem to employ operators older than the building, who can't operate platters and are unwilling to learn.

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