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Author Topic: Short Throw Projection
Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 10-18-2005 12:18 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Amplifying John's reply: It is the treatment of the area next to the screen that seperates good architects from bad. In the "glory days" the very large screens did not even approach the limits of the wall width. One treatment is a diagonal wall which also had the side-benefit of "bending" the vanishing points of the side walls to point at the screen. Another is drapes. Another is a fancy wall with alcoves and statues, etc.

Largeness on a wall is not showmanship; in fact it can be quite obnoxious. Louis

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Amanda Mundin
Expert Film Handler

Posts: 122
From: Belper, Derbyshire, UK
Registered: Sep 2005


 - posted 10-19-2005 03:40 AM      Profile for Amanda Mundin   Email Amanda Mundin   Send New Private Message       Edit/Delete Post 
What do people think of the theory that the ideal screen size should subtend to a horizontal angle of 45 degrees at the prime seat (2/3rds back) as mentioned in the Dolby Technical Guidelines?
It says Fox came up with this theory back in 1953 when it introduced Cinemascope, do people still stick to this ideal?

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 10-19-2005 10:05 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
For a scope (2.39:1 aspect ratio) picture, that 45-degree angle is in agreement with a seat about 3 picture heights from the screen, which is the same aim distance specified for critical viewing in screening rooms in standard SMPTE 196M-2003. Here is the exact wording of the standard:

quote:
9 Review room viewing conditions
All observers in a review room shall be located within a standard observing area which shall be:
a) within the limits of a 15° angle on either side of a perpendicular to the center of the screen, in both the
horizontal and vertical planes; and
b) at a distance of 3 picture heights ± 1 picture height from the screen.

So your "best" seats are between 2 and 4 picture heights from the screen. Most theatres have additional seating as close as about 1 picture height, and at the back of the auditorium, beyond 4 picture heights.

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