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Author Topic: super 35 and aperture plates Tim Reed Better Projection Pays Posts: 5246 From: Northampton, PA Registered: Sep 1999 posted 06-10-2006 08:18 PM                       Huh? Where, where?! IMDB has always shortchanged me. Although, I do have screen credit in two episodes of That 70s Show; a documentary called Dusk to Dawn: Kentucky's Rural Drive-In Theatres; a movie called And They're Off, which was never released, and happened to be George Clooney's first picture. Director's credit on several of my Screen Attractions' projects, and a couple other commercial things. quote: Frank Angel I just did narration on a small project Wha.. with THAT accent?! So, let's HEAR some of this stuff, Frank! quote: Scott Norwood Is there a polite way to ask about this? Scott, I got with the production manager on the Clooney picture, the producers on the documentaries, and a visuals coordinator I dealt with on "That 70s Show". I had my screen credit built into the contract on that one. I'd bring it up with the PA you're working with. The DP really has nothing to do with it.  |  IP: Logged Brad Miller Administrator Posts: 17775 From: Plano, TX (36.2 miles NW of Rockwall) Registered: May 99 posted 06-10-2006 08:22 PM                     Scott, for Super 35 I always start with a pinhole plate, drill it out just enough to insert a nibbler. From there I get it semi-close (don't get to overzealous) and file out the rest. If you need, I'll nibble and file you out an undercut Century Super 35 plate and you can finish filing it out to tweek the final projected image to your masking or the DP's alignment film.  |  IP: Logged Phil Hill I love my cootie bug Posts: 7595 From: Hollywood, CA USA Registered: Mar 2000 posted 06-11-2006 12:41 AM                  Tim, I provided the IMDB link as reference to the film. I saw your name in the credit roll at the end of the film. Sorry for the confusion...  |  IP: Logged

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