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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Ashcraft Super Core-Lite Mirror Resurfacing/Replacement (Page 2)

 
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Author Topic: Ashcraft Super Core-Lite Mirror Resurfacing/Replacement
Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 10-08-2006 02:01 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Achcrafts are neat lamps and put out really amazing light but todays prints are color balanced for xenon. Time to retire them.....

Mark

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Robert Minichino
Master Film Handler

Posts: 350
From: Haskell, NJ, USA
Registered: Dec 2005


 - posted 10-08-2006 03:49 PM      Profile for Robert Minichino   Author's Homepage   Email Robert Minichino   Send New Private Message       Edit/Delete Post 
We're a changeover house that mostly shows classic movies. We've got a pair of DP-70s with Strong X-60 lamphouses that are not yet installed, in addition to a pair of R&R modified FP-20s with selsyns and interlocking controls and VFD speed control (I'm installing the latter this week).

We'd like to keep the Ashcrafts until it's onerous to do so. I've got a couple of good leads on mirrors that I'm following up on thanks to posts and e-mails from various Film-Techers, so they may have some more life in them yet.

[beer]

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-08-2006 03:59 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
todays prints are color balanced for xenon
Most of what the Loew's is running is not todays prints. I've seen several Technicolor dye prints there, and they look incredible with carbon.

Todays trains and ships are driven by Diesel engines, but I think many people would be sorry if there weren't a few steam ones still to be seen working.

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Robert Throop
Master Film Handler

Posts: 412
From: Vernon, NY USA
Registered: Jun 99


 - posted 10-09-2006 09:41 AM      Profile for Robert Throop   Email Robert Throop   Send New Private Message       Edit/Delete Post 
quote: Mark Gulbrandsen
todays prints are color balanced for xenon.
In the early seventies there was a paper in an SMPTE Journal comparing xenon light with carbon. IIRC the conclusion was that there was a greater variance between two different mirrors with the same system than there was between carbon and xenon.
Bob

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Mitchell Dvoskin
Phenomenal Film Handler

Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 10-19-2006 03:07 PM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
Does anyone know if the reflector from a Corelite lamphouse will work in a Super Corelite lamphouse?

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 10-19-2006 10:53 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
Yes, I believe so. The "Super" designation indicated a top blower, with an improved reflector cooling circuit.

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Robert Minichino
Master Film Handler

Posts: 350
From: Haskell, NJ, USA
Registered: Dec 2005


 - posted 10-19-2006 11:38 PM      Profile for Robert Minichino   Author's Homepage   Email Robert Minichino   Send New Private Message       Edit/Delete Post 
The "Super" also means an 18" mirror instead of a 16", as well as 13.6mm positives [Smile]

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Kenneth Wuepper
Phenomenal Film Handler

Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002


 - posted 10-20-2006 07:04 AM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
We have one SUPER CORE-LITE and the douser has a hole in the center for longer carbons. This was done to facilitate carbon light with a platter and 20 inch long positives to run the show. It was even thought that you could automate the carbon lamp and then Xenon came along and changed everything.

All of our Ashcrafts use the same mirrors.

KEN

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 10-20-2006 09:21 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
quote: Robert Minichino
The "Super" also means an 18" mirror instead of a 16", as well as 13.6mm positives
I have seen 13.6's in a regular Corelite... regular Cinex's, too.

EDIT: Okay, I did some research. Robert is indeed correct on the differences in reflector sizes (I checked the manuals here on Film-Tech!). [Wink] Sorry about that, Mitchell. I was depending on information from my Cinex, Super Cinex, and Cinex Special manuals, which all show 18" reflectors... (??)

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-20-2006 09:38 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Mitchell, it's over three years since I've been up in the box at the Loew's, but haven't they got a 'non-super', regular Core-light on the Vitaphone projector? Can't you look at the mirror in that, to see if they're compatible; If it has a mirror in it?

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Robert Minichino
Master Film Handler

Posts: 350
From: Haskell, NJ, USA
Registered: Dec 2005


 - posted 10-20-2006 11:19 AM      Profile for Robert Minichino   Author's Homepage   Email Robert Minichino   Send New Private Message       Edit/Delete Post 
Yup, I was just up in the booth last night and measured both the mirrors to be sure; the regular Core-lite mirror is definitely smaller (and ours has 11mm positive jaws).

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-20-2006 12:39 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Robert, have we met? You don't have a picture, so I can't tell. I've met three projectionists at the Loew's. Bernie was the first, when he was there, then I met Mitchell a day or two later, and more recently somebody else. Is the one who isn't Mitchell you?

I've just noticed that you're from Mahwah; are you also involved with the Lafayette, since it's very close to you?

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Robert Minichino
Master Film Handler

Posts: 350
From: Haskell, NJ, USA
Registered: Dec 2005


 - posted 10-20-2006 01:29 PM      Profile for Robert Minichino   Author's Homepage   Email Robert Minichino   Send New Private Message       Edit/Delete Post 
Hi Stephen. I don't think we've met, and I generally don't do projection (just service). You probably met Scott on a day I wasn't in the booth (I've been there for almost all shows in the past year or so).

I haven't had a chance to visit the Lafayette yet, surprisingly enough, as I'm usually at the Loew's on Saturdays.

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 10-21-2006 06:44 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
The only time I've been at the Loew's during that time would be in May this year. The previous time would have been in April 2005.

Try to get to see a show at the Lafayette sometime. I've never seen a 3-D show there, they don't do them that often, but it should work much better there than in some of the other places where I have seen it done.

There's also the UCAC, in Rahway. I've only been there once, a couple of years ago. Quite a nice place, but they could do with putting a bit more light on the screen, unless things have changed since I was there.

That's three traditional style cinemas, showing classic films, within quite a small area. If anyone else is operating one, let me kwow, and I'll try to see it sometime.

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