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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Cleaning up prints (Page 2)

 
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Author Topic: Cleaning up prints
John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 04-29-2007 12:57 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Even the CSI guys use FilmGuard?

Amazing... [Wink]

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 04-29-2007 01:03 AM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Gordon writes, "the warble is the fact that the delay is not set acuratley and one hears the toggling at high speed between analogue and digital".

Chris replies, "Really? Because I've noticed it happen when the processor wasn't showing switching between formats. But maybe it was switching too fast for the processor to show. "

The warble doesn't have to mean high-speed toggling, no. All 4 digital formats (even CDS!) clock themselves based on the speed of film through the digital sound reader -- this is necessary to maintain sound sync. So if the film is unstable through the digital sound reader (particurly a problem with penthouse readers and platter systems), this instability can translate into wow-ing.

You won't hear this on the analog sound, or with a basement reader, because the driven sprockets force the film to constant speed. (Of course you can see wow and flutter in an analog soundhead, but rarely is it as bad as it can be with penthouse readers.)

Of course, this has nothing to do with wear on the digital track. If you have a tension problem and a perfectly printed print and a perfectly aligned reader that reads '1' all the time, you'll still hear the wow.

--jhawk

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 04-29-2007 01:58 AM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
That's a nice thought but... we use a basement reader. Ones from component engineering.

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 04-29-2007 02:00 AM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Well, maybe you really do have a wow/flutter problem then.
But it should affect analog and digital both. Well, perhaps digital may be less sensitive to flutter.

Describe more precisely the "warble" you're referring to, the precise conditions under which it occurs, state of the processor, etc.

--jhawk

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 04-29-2007 02:21 AM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
I'm bad at describing stuff; my guess is it's probably the delay issue. But next time I see our tech I'll ask him to have a look at it.

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 04-29-2007 02:26 AM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Well, you should get better at it! No time like the present to practice. [Big Grin]

Having the delay mis-set should not result in variation -- it should result in lipsync problems, and maaaaaaybe weirdness at changeovers.

You can try turning off the analog or digital LED so you can guarantee what format you're in and then listen. You can try fiddling with the tension of the running film (apply some more tension with you finger, etc.) and see if you can reproduce the audio defect.

Another possibly issue is the air dashpot on the CE readers need adjustment.

--jhawk

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-29-2007 02:30 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Gordon is correct, but I have also seen a wow from SRD and DTS if there is any bounce in the film feeding into the projector. It shows up worse at the end of a reel when running on reels and when using platters with wobbly rollers. Physical tension going into the projector makes ZERO difference on the tracking ability for either format, but bouncing DOES. There should be no real bob up and down of the film in between the platter and projector on the feed side, or if there is some, it should be slow and steady.

You can actually simulate this by bumping the two tension rollers on either side of the sound drum. For a basement reader, bad bearings can produce this effect.

(Also if a print is sitting on 6/7 it can be faulting without dropping to analog at all or displaying an "F".)

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Ron Curran
Jedi Master Film Handler

Posts: 504
From: Springwood NSW Australia
Registered: Feb 2006


 - posted 04-29-2007 08:00 PM      Profile for Ron Curran   Author's Homepage   Email Ron Curran   Send New Private Message       Edit/Delete Post 
Any bounce could be smoothed out by the cleaner before the print enters the DD reader.

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John Koutsoumis
Master Film Handler

Posts: 261
From: Melbourne, Victoria, Australia
Registered: Aug 2003


 - posted 05-23-2007 07:57 PM      Profile for John Koutsoumis   Email John Koutsoumis   Send New Private Message       Edit/Delete Post 
I have a print of a current film called "Noise" that's shedding a lot since it got here and it is now sitting on 7-8 and constantly goes to F. Does the shedding effect the SR-D track?This was new print. I don't seem to have any problems with SR-D tracks other prints except for the ones that shed a lot.

On the other hand, last week I ran a used season print of "Rabbit Proof Fence" for some school kids and it sat on 3-4 throughout the entire length of the film.

Any ideas? The film "Noise" relies heavily on the (5.1)sound mix and I am investigating how to get the SR-D track back online.

I have PTR rollers and a Christie FC-1 media cleaner but as yet I have neither up and running. I just found the latter in the bottom of an unmarked box.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-23-2007 08:11 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
SRD tracks are damaged in one of two ways.

#1 The print is dirty. Prints that are shedding absolutely will cause an SRD track to fail. Just think about it, for SRD to work the system has to be able to see those super tiny dots in between the perforations. Dirt seriously hurts the reader's ability to see the data.

#2 The print has scratches in the SRD track, almost always from gate bands with emulsion deposits on them, but also sometimes from a projector with a rough spot somewhere in the sprocket's film path.

PTRs won't save you. Neither will a dry media cleaner. FilmGuard is your only chance to save that print.

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 05-23-2007 08:20 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
Also, the dry media by itself will certainly work better than PTRs.

If you notice the PTR review on this site, a print "cleaned" with PTRs ends up looking dirtier than a print not cleaned at all.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-23-2007 08:44 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Actually Chris, no. The dry media won't help the SRD tracks in one bit. By the time the print gets dirty enough to kill the SRD tracks, a dry media pass won't save it.

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 05-23-2007 09:26 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
I'll have to take your word for it since we've never had prints get quite that bad.

[edit]And while dry media may not help in this situation, from what I've heard PTRs don't help things (in fact, usually hurt things) regardless of the situation at hand. But that's a bit of a tangent.[/edit]

To John:
How long have you had the print in question? It seems odd that you'd get a print that dirty really quickly. Unless, of course, your fellow booth people don't care about keeping stuff clean.

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Cameron Glendinning
Jedi Master Film Handler

Posts: 845
From: West Ryde, Sydney, NSW Australia
Registered: Dec 2005


 - posted 05-24-2007 10:51 PM      Profile for Cameron Glendinning   Email Cameron Glendinning   Send New Private Message       Edit/Delete Post 
Chris, the print is shedding, ie white powder is falling off it!!!! Some prints do this. Not as common today, but in the past it has been seen far too many times.

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 05-24-2007 11:38 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
I'm well aware what shedding is.

I've had prints that shed. I've NEVER had so much shedding that your soundtrack gets covered up by the shedding.

The reason I asked about how dirty it was is because I think the whole soundtrack issue likely would've been avoided by cleaning the print regularly.

That is, of course, unless there's something more going on that we aren't seeing.

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